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Paolo Caliari (1528 – 19 April 1588), known as Paolo Veronese (/ ˌ v ɛr ə ˈ n eɪ z eɪ,-z i / VERR-ə-NAY-zay, -zee, US also /-eɪ s i /-see; Italian: [ˈpaːolo veroˈneːze,-eːse]), was an Italian Renaissance painter based in Venice, known for extremely large history paintings of religion and mythology, such as The Wedding at Cana (1563) and The Feast in the House of Levi (1573).
The Feast in the House of Simon the Pharisee is an oil-on-canvas painting by Paolo Veronese, completed in 1570 for San Sebastiano, a Hieronymite monastery in Venice.He also produced a cycle of works for the monastery church (still in place), where he was later buried. [1]
The Feast in the House of Simon the Pharisee (Veronese, Milan) The Feast in the House of Simon the Pharisee (Veronese, Turin) The Finding of Moses (Veronese, Washington) The Finding of Moses (Veronese, Dijon) The Finding of Moses (Veronese, Dresden) The Finding of Moses (Veronese, Lyon) The Finding of Moses (Veronese, Madrid)
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Paolo Veronese (1528–1588), one of the world's major painters, known for scenes from history and mythology; Andrea del Verrocchio (c. 1435–1488), real name "Andrea di Michele di Francesco de' Cioni", painter, sculptor and goldsmith; Antonio Visentini (1688–1782), architectural designer, painter and engraver; Alessandro Vittoria (1525 ...
Because of this, many scholars assumed that Veronese painted them as a pair. In 1970, Edgar Munhall was the first scholar to suggest that they were simply made at the same time, not as pendants. [3] Work undertaken by scholars at the Metropolitan Museum of Art in the 2000s confirmed that the two were made individually. [4]
The Portrait of Daniele Barbaro is an oil on canvas painting by the Italian Renaissance master Paolo Veronese, from c. 1556-1557. It is held in the Rijksmuseum, in Amsterdam. Daniele Barbaro was a member of the Venetian aristocracy (see Barbaro family). He was an important prelate, humanist and architectural theorist, who commissioned a number ...
The Conversion of Mary Magdalene is an oil painting, an early work by the Italian Renaissance artist based in Venice, Paolo Veronese (1528–1588). He was known for his sumptuous paintings with a dramatic and colourful style.