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Freyja lends Loki her falcon cloak to search for it; but upon returning, Loki tells Freyja that Þrymr has hidden the hammer and demanded to marry her in return. Freyja is so wrathful that all the Æsir ’s halls beneath her are shaken and the necklace Brísingamen breaks off from her neck.
When "Freyja" arrives in the morning, Thrym is taken aback by her behavior; her immense appetite for food and mead is far more than what he expected, and when Thrym goes in for a kiss beneath "Freyja's" veil, he finds "her" eyes to be terrifying, and he jumps down the hall. The disguised Loki makes excuses for the bride's odd behavior, claiming ...
The two return to Freyja, and tell her to dress herself in a bridal head dress, as they will drive her to Jötunheimr. Freyja, indignant and angry, goes into a rage, causing all of the halls of the Æsir to tremble in her anger, and her necklace, the famed Brísingamen, [a] flies off of her. [b] Freyja flatly refuses, saying that if she did ...
Through Loki, Þrymr conveys his demand for the goddess Freyja's hand in marriage as the price for returning Mjǫlnir, which he has buried eight leagues under the ground. . When Loki flies to Jǫtunheimar using Freyja's feather cloak, he finds Þrymr sitting on a mound, twisting gold leashes for his dogs, and primping his horses' man
Here Wealhtheow, anxious that Hrothgar secures the succession for her own offspring, gives a speech and recompenses Beowulf for slaying Grendel with three horses and a necklace. The necklace is called Brosinga mene, and the name is held to be either a corruption or a misspelling of OE Breosinga mene, ON Brisingamen, [9] Freyja's necklace.
'Freyja and the Necklace', 1890. Freya, goddess of love, who wore a necklace as a sign of social status. Illustration from "Teutonic Myths and Legends" by Donald A Mackenzie, 1890. Camera manufacturer: Canon: Camera model: Canon EOS 5D: Author: James Doyle Penrose (creator);Donald Alexander Mackenzie: Exposure time: 1/4 sec (0.25) F ...
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Óðr again leaves the grieving Freyja in Odur verläßt abermals die trauernde Gattin (1882), Carl Emil Doepler 'The Elder'.. In Norse mythology, Óðr (; Old Norse for the "Divine Madness, frantic, furious, vehement, athger", as a noun "mind, feeling" and also "song, poetry"; Orchard (1997) gives "the frenzied one" [1]) or Óð, sometimes anglicized as Odr or Od, is a figure associated with ...