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Recitative and aria for soprano and orchestra: Metastasio, Artaserse II,11: 1766, or Count Firmian's audition party, Milan, 12 March 1770 deest KV 9 646 "Cara, se le mie pene" (Score/Crit. report) Aria for soprano and orchestra: unknown: 1769 82: 73o "Se ardire, e speranza" (Score/Crit. report) Aria for soprano and orchestra: Metastasio ...
Under the title Fauré: Eighteen Songs, the album was nominated for at the 26th Annual Grammy Awards for the best classical vocal solo performance of 1983. [9] [10] Stereo Review judged the album to be the best recordings of the month, [6] and J. B. Steane included the album in his 1983 Gramophone Critics' Choice list of the best recordings of ...
Cecilia Bartoli OMRI (Italian: [tʃeˈtʃiːlja ˈbartoli]; born 4 June 1966) is an Italian mezzo-soprano widely known in the music of Bellini, Handel, Mozart, Rossini and Vivaldi and for lesser-known music of the Baroque and Classical periods. She has also sung soprano and alto repertory. Bartoli is considered a singer with an unusual timbre ...
Eleven Songs for Susan (2007), for mezzo-soprano & chamber orchestra; Three Poems of Edna St. Vincent Millay (2007), for voice & piano; Songs Old and New (2008), for soprano & orchestra; Four Sonnets of Shakespeare (2008), for tenor & piano; Sonnet 144 (Two Loves I Have) (2010), for soprano, mezzo-soprano, & piano
Six Songs from A Shropshire Lad; The Song and The Slogan; Song cycles (Waterhouse) A Song for the Lord Mayor's Table; Songfest: A Cycle of American Poems for Six Singers and Orchestra; Songs and Proverbs of William Blake; Songs from the Chinese; Songs of a Wayfarer; Songs of the Fleet; Songs of the Sea (Stanford) Songs of Travel; Songs Sacred ...
[2] Locke highlighted Augestad's recording of Hate Songs as one of the "best opera and vocal music" works in that year. [3] Albrecht Thiemann, editor of Opernwelt, called the work "a captivatingly orchestrated, spirit-sparkling opus" and "a coup that provides an immense listening pleasure. With this work, Paus highlights a woman hardly known in ...
It was performed and live recorded at the Gasteig in Munich by Martina Koppelstetter and the composer on 11 April 2010, in a composer's portrait concert, along with chamber music, early songs and the premiere of the setting of the poem Im Gebirg (On the Mountains) by Hans Krieger, scored for mezzo-soprano, alto flute and piano. [2]
The Opera Babes are an English crossover classical music duo, consisting of Karen England, mezzo-soprano, and Rebecca Knight, soprano.. The duo came to wide attention when they sang "Un bel dì vedremo" (from the opera Madame Butterfly) on television sports programmes, beginning in 2002.