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Datilla discussed 13 alankaras, Bharata Muni presented 33, Sarngadeva described 63 alankaras, while mid medieval scholars presented numerous more. [1] The Indian music tradition classifies alankara as rational or irrational, wherein irrational alankara being those that cannot be reduced to a fixed scale degree pattern.
Bhamaha was apparently from Kashmir. [3] [4] [5] [6]Little is known of Bhāmaha's life: the last verse of the Kāvyālaṃkāra says his father was called Rakrilagomin, but little more is known: [7]
The Alankara Shastra is the traditional Indian science of aesthetics that deals with the principles and techniques of literary composition and ornamentation. It is an important aspect of Indian literary criticism and aims to enhance the beauty and expressiveness of literary works.
It contains a number of typos and of notes missing and generally skips Sanskrit quotations present in the printed version, providing only their English translation. On the other hand, chapters 28 to 36 from vol. 2 (1961) are included in the web version whereas vol. 1 stops at chapter 27 and contains only a preliminary version of chapters 34, 35 ...
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Hindustani classical music is the classical music of the Indian subcontinent's northern regions. It may also be called North Indian classical music or Uttar Bhartiya shastriya sangeet.
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Sangita Ratnakara was written by Śārṅgadeva, also spelled Sarangadeva or Sharangadeva.Śārṅgadeva was born in a Brahmin family of Kashmir. [11] In the era of Islamic invasion of the northwest regions of the Indian subcontinent and the start of Delhi Sultanate, his family migrated south and settled in the Hindu kingdom in the Deccan region near Ellora Caves (Maharashtra).