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The following is a partial list of concertos by Joseph Haydn (1732–1809). In the Hoboken catalogue of Haydn's works, concertos for most instruments are in category VII with a different letter for each solo instrument (VIIa is for violin concertos, VIIb is for cello concertos, etc.).
Haydn and Mozart probably had become acquainted by 1784, when this concerto was published. Although Mozart returned from Italy in March 1773 at the age of seventeen, he did not turn to piano concertos until 1776; [ 2 ] nonetheless, some biographers and music historians suggest that distinct similarities in this work by Haydn might indicate ...
A harpsichord concerto is a piece of music for an orchestra with the harpsichord in a solo role (though for another sense, see below). Sometimes these works are played on the modern piano (see piano concerto ).
Harpsichord Concerto in A major, BWV 1055; Harpsichord Concerto in D minor, BWV 1052; Harpsichord Concerto in E major, BWV 1053; Harpsichord Concerto in F minor, BWV 1056; Keyboard Concerto No. 11 (Haydn)
Concerto in C major for Organ and Viola, MH 41, Perger 55; Flute Concerto No. 1 in D major, MH 81, Perger 54; Flute Concerto No. 2 in D major, MH 105, Perger 56; Harpsichord Concerto in F major (fragment), MH 268, Perger 57; Horn Concerto in D major, MH 53; Horn Concerto in D major, MH 134, Perger 134; Trumpet Concerto No. 1 in C major, MH 60 ...
The Perger-Verzeichnis ("Perger‘s Catalogue") is a thematic-chronological catalogue of instrumental compositions by Michael Haydn, compiled by Lothar Perger in 1907.Like Ludwig von Köchel's catalog of Mozart's compositions (the Köchel-Verzeichnis), Perger's catalog uses a single range of numbers, from 1 to 136, but like Hoboken's catalog of Joseph Haydn's music, groups the pieces first ...
Haydn's keyboard sonatas evolved with the development of the keyboard through the late eighteenth century. The harpsichord was eventually replaced with the fortepiano, capable of gradual dynamic changes. The first thirty of Haydn's keyboard sonatas are scored for harpsichord, while the next nine are scored for either harpsichord or fortepiano. [3]
The first of Haydn’s keyboard works to be conceived with the dynamic contrasts only possible with a touch sensitive keyboard e.g. clavichord or fortepiano rather than harpsichord. Published 1780 in Vienna by Artaria as one of a set of 6 sonatas dedicated to Katherina & Marianna Auenbrugger