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In music, a trio (from the Italian) is any of the following: a composition for three performers or three musical parts in larger works, the middle section of a ternary form (so named because of the 17th-century practice of scoring the contrasting second or middle dance appearing between two statements of a principal dance for three instruments)
The scherzo and trio, which is identical in structure to other trio forms, developed in the late Classical and early Romantic periods. Examples include the scherzo and trio (second movement) from Beethoven's Symphony No. 9 and the scherzo and trio in Schubert's String Quintet. [6] Another name for the latter is "composite ternary form".
The earliest string trio, found during the mid 18th century, consisted of two violins and a cello, a grouping which had grown out of the Baroque trio sonata.Over the course of the late 18th century, the string trio scored for violin, viola, and cello came to be the predominant type. [1]
Dynamics in a piece should be interpreted relative to the other dynamics in the same piece. For example, pp should be executed very softly, but if ppp is found later in the piece, pp should be markedly louder than ppp. More than three p s (ppp) or three f s (fff) are uncommon. piano (p) Gently (i.e. played or sung softly) (see dynamics) piano ...
The rule of three is a writing principle which suggests that a trio of entities such as events or characters is more humorous, satisfying, or effective than other numbers. The audience of this form of text is also thereby more likely to remember the information conveyed because having three entities combines both brevity and rhythm with having ...
The Trio (Oscar Peterson album) The Trio, by Oscar Peterson, Joe Pass and Niels-Henning Pedersen; The Trio (Ted Curson album) Trios (Carla Bley album), 2013 "Trio", a song by King Crimson on the album Starless and Bible Black; Trios, Op. 1 (Stamitz), a set of six orchestral pieces; Trio (Steve Berry album) by the Steve Berry Trio
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The word Adonai is first used by Abraham in the book of Genesis chapter 18 when he addresses three Angels who appear to him at Mamre. Various commentators have expressed that this triad is actually the Netiot otherwise known as Sar HaPanim and is distinguished by Rabbeinu Bahya from lower kinds of angels which are categorized as Nifradim.