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The color boom was aided by the breakup of Technicolor's near-monopoly on the medium. The last stand of black-and-white films made by or released through the major Hollywood studios came in the mid-1960s, after which the use of color film for all productions was effectively mandatory and exceptions were only rarely and grudgingly made.
This newly introduced form of creativity made way for a whole new group of people to be introduced to stardom, including David W. Griffith, who made a name for himself with his 1915 film, The Birth of a Nation. In 1920, there were two major changes to the film industry: the introduction of sound and the creation of studio systems.
The Cutting Edge: The Magic of Movie Editing is a 2004 documentary film about the history and art of film editing, directed by filmmaker Wendy Apple. The film brings up many topics, including the collaborative nature of filmmaking, female representation in the editing field, and emerging technologies of the 21st century.
Collaborative video editing. Personal use—Many programs online are easily obtainable to download from anyone's personal computer. Adobe, Canva, and Filmora are a couple examples of programs that are downloadable for anyone to use. [12] Virtual reality—Advancements are being made to help with editing spherical video used in virtual reality ...
Soviet montage theory is an approach to understanding and creating cinema that relies heavily upon editing (montage is French for 'assembly' or 'editing'). It is the principal contribution of Soviet film theorists to global cinema, and brought formalism to bear on filmmaking.
A montage (/ m ɒ n ˈ t ɑː ʒ / mon-TAHZH) is a film editing technique in which a series of short shots are sequenced to condense space, time, and information. Montages enable filmmakers to communicate a large amount of information to an audience over a shorter span of time by juxtaposing different shots, compressing time through editing, or intertwining multiple storylines of a narrative.
Méliès and others then established in 1900 the trade union Chambre Syndicale des Editeurs Cinématographiques [18] [19] as a way to defend themselves in foreign markets. Méliès was made the first president of the union, serving until 1912, and the Théâtre Robert-Houdin was the group's headquarters. [citation needed]
Continuity editing is the process, in film and video creation, of combining more-or-less related shots, or different components cut from a single shot, into a sequence to direct the viewer's attention to a pre-existing consistency of story across both time and physical location. [1]