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It represents Tagore's vision of a new and awakened India. The original poem was published in 1910 and was included in the 1910 collection Gitanjali and, in Tagore's own translation, in its 1912 English edition. "Where the mind is without fear" is the 35th poem of Gitanjali, and one of Tagore's most anthologised poems.
Its content is different from the poetry anthologies in the first two volumes. It is an epic poem with a total of 21 chapters and 1,340 verses, titled "Manifestation of Love"; the illustrations in the book are by Rhiti Chatterjee Bose, [7] the female illustrator from Kolkata. The author tells the story of Krishna from birth to death in a new ...
The poem was first sung on the second day of the annual session of the Indian National Congress in Calcutta on 27 December 1911. The song was performed by Sarala Devi Chowdhurani, Tagore's niece, along with a group of school students, in front of prominent Congress Members like Bishan Narayan Dhar, Indian National Congress President and Ambika Charan Majumdar.
Doha is a very old "verse-format" of Indian poetry.It is an independent verse, a couplet, the meaning of which is complete in itself. [1] As regards its origin, Hermann Jacobi had suggested that the origin of doha can be traced to the Greek Hexametre, that it is an amalgam of two hexametres in one line.
Sarfaroshi Ki Tamanna is an Urdu patriotic poem written by Bismil Azimabadi as a dedication to young freedom fighters of the Indian independence movement. [1] This poem was popularized by Ram Prasad Bismil. When Ram Prasad Bismil was put on the gallows, the opening lines of this ghazal were on his lips. [2]
He believed that sphoṭa carries the meaning of the word(s) and is revealed to the listener upon hearing the word(s). [11] Unlike Patanjali, Bhatrihari applies the term sphoṭa to each element of the utterance, varṇa ( varṇasphoṭa; the letter or syllable), pada ( padasphoṭa; the word), and vākya ( vākyasphoṭa; the sentence).
Sarveshwar Dayal Saxena (15 September 1927 – 23 September 1983) was a Hindi writer, poet, columnist and playwright. He was one of the seven poets who first published in one of the "Tar Saptaks", which ushered in the ‘Prayogvaad’ (Experimentalism) era, which in time evolved to become the "Nayi Kavita" (New Poetry) movement.
An account from the nun Subhā reveals Buddhist views of not just the female form, but of the physical form in general; while walking along the path to a mango grove, a rogue blocks her path and accosts her, attempting to seduce her with appeals to sensual desire, fear, and physical possessions, evoking emotions renunciation is intended to ...