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El molino: Alfonso Cortés-Cavanillas (director); Jorge Navarro de Lemus, Estefanía Cortés, Leire Albinarrate (screenplay); Pilar López de Ayala, Asier Etxeandia, Imanol Arias, Claudia Traisac, Nur Olabarría, Pablo Rivero, Abril Zamora, Carla Domínguez, Rocio Calvo, Jorge Basanta, Luismi Ramírez, Ángela Arellano, Maria Teresa Altés, Antonio Sarrió
The Aura (Spanish: El aura) is a 2005 neo-noir [4] [5] psychological thriller film written and directed by Fabián Bielinsky and starring Ricardo Darín, Dolores Fonzi, Pablo Cedrón and Nahuel Pérez Biscayart.
Part of the AFI 100 Years… series, AFI's 100 Years…100 Thrills is a list of the top 100 most exciting movies in American cinema. The list was unveiled by the American Film Institute on June 12, 2001, during a CBS special hosted by Harrison Ford.
A common theme in thrillers involves innocent victims dealing with deranged adversaries, as seen in Hitchcock's film Rebecca (1940), where Mrs. Danvers tries to persuade Mrs. De Winter to leap to her death. Thriller film, also known as suspense film or suspense thriller, is a broad film genre that evokes excitement and suspense in the audience. [1]
The Best American Mystery and Suspense is an annual anthology of North American mystery and thriller stories. Prior to 2021, its title was The Best American Mystery Stories and it was published by Houghton Mifflin through the year 2017.
The film is a Spanish-Belgian co-production by Sayaka Producciones, Wrong Men, Señor y Señora, and Mediacrest Entertainment [6] with funding from ICAA, Wallimage, Filmin, and Movistar Plus+. [3] [7] XYZ Films handled sales. [8] In February 2023, the project was revealed, with Nacho Vigalondo as director and Henry Golding as a lead actor. [9]
Colegas (Eloy de la Iglesia, 1982) [15] Labyrinth of Passion (Pedro Almodóvar, 1982) [16] Bicycles Are for the Summer (Jaime Chávarri, 1984) What Have I Done to Deserve This? (Pedro Almodóvar, 1984) The Hit (Stephen Frears, 1984) [17] Law of Desire (Pedro Almodóvar, 1987) Hostages in the Barrio (Eloy de la Iglesia, 1987) [18]
In literature, films, television, and plays, suspense is a major device for securing and maintaining interest. It may be of several major types: in one, the outcome is uncertain and the suspense resides in the question of who, what, or how; in another, the outcome is inevitable from foregoing events, and the suspense resides in the audience's anxious or frightened anticipation in the question ...