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Other poems apparently alluding to the "midnight poem" include Elizabeth Bishop's "Insomnia" – whose first line fits the meter used in the Greek fragment, and which shares setting and tone with it – and H.D.'s "Night", which is thematically linked with the poem, also concerned with the passage of time and isolation. [39]
20th-century literary critics often categorise eight of Coleridge's poems (The Eolian Harp, Reflections on having left a Place of Retirement, This Lime-Tree Bower my Prison, Frost at Midnight, Fears in Solitude, The Nightingale: A Conversation Poem, Dejection: An Ode, To William Wordsworth) as a group, usually as his "conversation poems".
Although, traditionally the original set of poems was considered to be composed by an eponymously named woman ("Lady Midnight") [3] living during the Jin Dynasty, in modern Jiangnan, it is more likely that the Midnight Songs are actually a collection of poems by various poets, and/or from the folk tradition.
Soon after, the poem was published in a small work containing his other poems Frost at Midnight and Fears in Solitude under the title France: An Ode to sound more neutral. [3] The poems were published in order with Fears in Solitude first and Frost at Midnight last to position the public poem, France: An Ode, in between two conversation poems. [4]
The poem is a 1000-line long parody of the Aisling, or Dream vision poetry tradition, the battle of the sexes, and Mythopoeic fictionalisations of Irish mythology: (Irish: Cúirt an Mheán Oíche) (The Midnight Court). The poem describes a lawsuit before the judicial bench of Aoibheal, a former goddess from Irish mythology who had been demoted ...
Johnson recognizes 1775 poems, and Franklin 1789; however each, in a handful of cases, categorizes as multiple poems lines which the other categorizes as a single poem. This mutual splitting results in a table of 1799 rows. Columns. First Line: Most of the first lines link to the poem's text (usually its first publication) at Wikisource.
"Abraham Lincoln Walks at Midnight" is a 1914 poem by American poet Vachel Lindsay. It portrays Abraham Lincoln walking the streets of Springfield, Illinois , stirred from his eternal sleep, a man, who even in death, is burdened by the tragedies of the modern world.
The relationship between Coleridge and Wordsworth was a close friendship, and Coleridge helped rewrite many of Wordsworth's poems during this time. Frost at Midnight was later connected to many of Wordsworth's poems. The poem was published in a small work containing his other poems France: An Ode and Fears in Solitude. [1]