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An article about a novel should include a concise plot summary which highlights the most important events and developments without attempting to follow every twist and turn of the story. A plot summary should be written in the narrative present tense. A summary for a full-length novel should be between 400 and 700 words.
Facsimile of the original title page for William Congreve's The Way of the World published in 1700, on which the epigraph from Horace's Satires can be seen in the bottom quarter. In literature , an epigraph is a phrase, quotation , or poem that is set at the beginning of a document, monograph or section or chapter thereof. [ 1 ]
Grok (/ ˈ ɡ r ɒ k /) is a neologism coined by the American writer Robert A. Heinlein for his 1961 science fiction novel Stranger in a Strange Land.While the Oxford English Dictionary summarizes the meaning of grok as "to understand intuitively or by empathy, to establish rapport with" and "to empathize or communicate sympathetically (with); also, to experience enjoyment", [1] Heinlein's ...
The opening sentence or opening line stands at the beginning of a written work. The opening line is part or all of the opening sentence that may start the lead paragraph . For older texts the Latin term incipit ('it begins') is in use for the very first words of the opening sentence.
In this sentence, Wiesel uses two parallel independent clauses written in the passive voice. The first clause establishes suspense about who rules the ghetto, and then the first few words of the second clause set up the reader with the expectation of an answer, which is metaphorically revealed only in the final word of the sentence.
The title of a book, or any other published text or work of art, is a name for the work which is usually chosen by the author. A title can be used to identify the work, to put it in context, to convey a minimal summary of its contents, and to pique the reader's curiosity. Some works supplement the title with a subtitle.
"The basic choices you make in life, very elemental stuff.” One of his country’s most-performed dramatists, Fosse said he had “cautiously prepared” himself for a decade to receive the news ...
Sentences that had more foregrounding devices were found to be judged by readers as more striking, more emotional, and they also lead to slower reading times. These findings were independent of the reader previous experience with reading literature, but other experiments found foregrounding effects that seem to be connected to experience.