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No. Film Date Days Ref. 1 Agak Laen: 7 February 2024: 7 [37]2 Exhuma: 21 March 2024: 23 [38]3 Godzilla x Kong: The New Empire: 14 April 2024: 18 [39]4 Dancing Village: The Curse Begins
This list is sorted by the number of tickets sold nationwide, according to the filmindonesia.or.id. [1] However, the information on filmindonesia.or.id was accrued only from 2007, making some films that was released before 2007 are not included or do not have an accurate number of admissions.
Indonesia, [c] officially the Republic of Indonesia, [d] is a country in Southeast Asia and Oceania, between the Indian and Pacific oceans. Comprising over 17,000 islands, including Sumatra, Java, Sulawesi, and parts of Borneo and New Guinea, Indonesia is the world's largest archipelagic state and the 14th-largest country by area, at 1,904,569 square kilometres (735,358 square miles).
Title Director Cast Genre Notes 1950: Darah dan Doa: Usmar Ismail: 1951: Akibat: Awaludin: Enam Djam Di Djogdja: Usmar Ismail: Selamat Berdjuang, Masku! H Asby
Ada Mertua di Rumahku: Rully Manna Rano Karno, Roger Danuarta, Cut Meyriska Family Drama KlikFilm Productions, Merpati Film [11] 20 Merindu Cahaya de Amstel: Hadrah Daeng Ratu Amanda Rawles, Bryan Domani, Rachel Amanda, Oki Setiana Dewi, Ridwan Remin, Maudy Koesnaedi Religious Drama
The cinema of Indonesia refers to films produced domestically in Indonesia. The statutory Indonesian Film Board , or BPI, defines Indonesian films as "movies that are made by or using Indonesian resources whose Intellectual Property Right is owned either entirely or partly by Indonesian citizen or Indonesian legal entity".
Dinata's Ca-bau-kan was Indonesia's submission for the 75th Academy Awards and her Love for Share was the official Indonesian submission to the 79th Academy Awards. [ 6 ] [ 7 ] Nugroho's Leaf on a Pillow was the country's submission for the 71st Academy Awards and his Memories of My Body was the official submission for the 92nd Academy Awards .
Like the radio, before the reform era television broadcasting was also regulated by the government through Directorate General of Radio, Television, and Film of the Department of Information, [1] but currently regulated by the KPI for content matters as well as the Ministry of Communication and Information Technology for frequency matters.