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While houses dating back to the sultanate of Banjar are rare, the traditional style of architecture of the Banjar people has been adopted by modern architects in South Kalimantan, Indonesia. [1] The most well-known style is the bubungan tinggi , which were originally houses with high, ridged roofs and were occupied by royalty, nobility, and ...
Nowadays most Banjar people have little interest in building Bubungan Tinggi. Beside the fact that it is expensive to build, people prefer the "modern" type of house. Its cultural values, however, are still appreciated. It is the main figure in both South Kalimantan and Banjarmasin's coat of arms. Many of the modern governmental buildings are ...
Built in 1526 during the reign of Sultan Suriansyah , the first Banjar King to convert to Islam. The mosque is located in the village of Kuin Utara, in Banjarmasin. The mosque is a stilt house, made out of ironwood and with a three-story roof. The mihrab has its own roof, separate from the main building.
Mosque architecture in Indonesia refers to the architectural traditions of mosques built in the archipelago of Indonesia. Initial forms of the mosque , for example, were predominantly built in the vernacular Indonesian architectural style mixed with Hindu , Buddhist or Chinese architectural elements , and notably didn't equip orthodox form of ...
Brahmavihara-Arama, also known as Vihara Buddha Banjar due to its location in the Banjar District of Buleleng, is a Buddhist temple and monastery in the mountains near Lovina in North Bali, Indonesia. [1] Due to its location within Bali—a predominantly Hindu island—this temple has significant Hindu influence in its statues and architecture. [2]
Religious architecture varies from indigenous forms to mosques, temples, and churches. The sultans and other rulers built palaces. There is a substantial legacy of colonial architecture in Indonesian cities. Independent Indonesia has seen the development of new paradigms for postmodern and contemporary architecture.
The heart of a Bali Aga village is the community longhouses called bale lantang (also bale agung ("great pavilion") or bale banjar ("village pavilion")), a sacred council house. [2] These structures are raised on a brick plinth and oriented longitudinally on an uphill-downhil axis.
Henri Maclaine Pont (Meester Cornelis, Batavia, 21 June 1884 – The Hague, 3 December 1971) was a Dutch architect and archaeologist active in Indonesia, acclaimed for his synthesis of Javanese and western architecture. [1] He is seen as the "father" of modern vernacular architecture of Indonesia.
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