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Solfège, or solfa, is a technique for teaching sight-singing, in which each note is sung to a special syllable (do, re, mi, fa, sol, la, ti).; Canntaireachd is an ancient Scottish practice of noting music with a combination of definite syllables for ease of recollection and transmission.
A logatome or nonsense syllable is a short pseudoword consisting most of the time of just one syllable which has no meaning of its own. Examples of English logatomes are the nonsense words snarp or bluck. Like other pseudowords, logatomes obey all the phonotactic rules of a specific language. Logatomes are used in particular in acoustic ...
Words that have one syllable will be stressed determined by whether their function is cognitive or grammatical. Words that have more than one syllable are called multisyllabic words. Two-syllable words typically have one stressed and one unstressed syllable. However, many words in the English language have three or more syllables.
Originating in vocal jazz, scat singing or scatting is vocal improvisation with wordless vocables, nonsense syllables or without words at all. [2] [3] In scat singing, the singer improvises melodies and rhythms using the voice solely as an instrument rather than a speaking medium.
Palilalia is defined as the repetition of the speaker's words or phrases, often for a varying number of repeats. Repeated units are generally whole sections of words and are larger than a syllable, with words being repeated the most often, followed by phrases, and then syllables or sounds.
[10] Likewise, substitutions tend to have the same number of syllables and the same metrical structure – the same pattern of stressed and unstressed syllables – as the intended word or phrase. If the stress pattern of the malapropism differs from the intended word, unstressed syllables may be deleted or inserted; stressed syllables and the ...
A spectrogram of a male speaker saying the phrase "nineteenth century". There is no clear demarcation where one word ends and the next begins. It is a well-established finding that, unlike written language, spoken language does not have any clear boundaries between words; spoken language is a continuous stream of sound rather than individual words with silences between them. [2]
One kind of word often involved in brevis breviāns are two-syllable words ending in a vowel, e.g. volō. In 1890, Leppermann listed all the iambic two-syllable words with a long vowel in the second syllable that occur in Plautus's iambic and trochaic lines, omitting those at the end of a verse.