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Celtic paganism, as practised by the ancient Celts, is a descendant of Proto-Celtic paganism, itself derived from Proto-Indo-European paganism.Many deities in Celtic mythologies have cognates in other Indo-European mythologies, such as Celtic Brigantia with Roman Aurora, Vedic Ushas, and Norse Aurvandill; Welsh Arianrhod with Greek Selene, Baltic Mėnuo, and Slavic Myesyats; and Irish Danu ...
Carnyx players (bottom right) on a panel from the Gundestrup Cauldron Sculpture depicting a bard with a lyre (Brittany, 2nd century BC). Deductions about the music of the ancient Celts of the La Tène period and their Gallo-Roman and Romano-British descendants of Late Antiquity rely primarily on Greek and Roman sources, as well as on archaeological finds and interpretations including the ...
Dublin, Royal Irish Academy 23 P 2 Great Book of Lecan: c. 1380 x 1417 [1] Dublin, Royal Irish Academy 23 P 3 1467 (first part) Composite manuscript, consisting of three parts. [1] Dublin, Royal Irish Academy 23 P 12 Book of Ballymote: 1384–1406 [1] Dublin, Royal Irish Academy 24 P 26 Book of Fenagh: 16th century Dublin, Royal Irish Academy ...
Lebor Gabála Érenn: The Book of the Taking of Ireland. Part IV. Irish Texts Society 41. London, 1941. Section VII, § 304–5. Portion of the text reproduced here Archived 9 June 2011 at the Wayback Machine. Cath Maige Tuired, ed. and tr. Elizabeth A. Gray, Cath Maige Tuired: The Second Battle of Mag Tuired. Irish Texts Society 52. Kildare, 1982.
Textual evidence for Etruscan divination comes from an Etruscan inscription: the priest Laris Pulenas' (250–200 BCE) epitaph mentions a book he wrote on haruspicy. A collection of sacred texts called the Etrusca disciplina, written in Etruscan, were essentially guides on different forms of divination, including haruspicy and augury. [8]
Irish music is music that has been created in various genres on the island of Ireland. The indigenous music of the island is termed Irish traditional music (or Irish folk music). It has remained vibrant through the 20th and into the 21st century, despite globalising cultural forces.
The Celtic god Sucellus. Though the Celtic world at its height covered much of western and central Europe, it was not politically unified, nor was there any substantial central source of cultural influence or homogeneity; as a result, there was a great deal of variation in local practices of Celtic religion (although certain motifs, for example, the god Lugh, appear to have diffused throughout ...
Nicholas Carolan, Director Emeritus, holding a lecture at the "Craiceann Bodhrán Festival" 2014. The archive has published two major printed publications deriving from historical manuscript collections of Irish traditional music: Tunes of the Munster Pipers: Irish Traditional Music from the James Goodman Manuscripts, 500 pre-Famine melodies edited by Dr Hugh Shields from a Trinity College ...