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2. Medieval jewelry - Wikipedia

   en.wikipedia.org/wiki/Medieval_jewelry

   Barbarian jewelry was very similar to that of the Vikings, having many of the same themes. Geometric and abstract patterns were present in much of barbarian art. [28] Like other barbarian women Viking women needed jewelry to keep their clothes on, and were probably rarely seen without it.

3. Fibula (brooch) - Wikipedia

   en.wikipedia.org/wiki/Fibula_(brooch)

   The finest period is from the 8th and 9th centuries, before the Vikings disrupted the societies. Ornate Irish examples in the period are usually "pseudo-penannular"; in fact closed rings, but imitating the penannular form. Examples like the Tara Brooch are among the most spectacular pieces of jewellery of the Early Medieval period. When the ...

4. Loree Rodkin - Wikipedia

   en.wikipedia.org/wiki/Loree_Rodkin

   Loree Rodkin (born February 25, 1949) is an American jewelry designer based in Los Angeles, California. [1] She designed the jewelry worn by Michelle Obama to the inaugural ball in January 2009, now deposited in the permanent collection of the Smithsonian Institution .

5. List of jewellery designers - Wikipedia

   en.wikipedia.org/wiki/List_of_jewellery_designers

   This is a list of notable jewelry designers This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .

6. Ancient Celtic women - Wikipedia

   en.wikipedia.org/wiki/Ancient_Celtic_women

   Gold jewelry (necklaces, bracelets, rings) were worn as symbols of social class and were often of high craftsmanship and artistic quality. Girls of the Hallstatt and early La Tène culture wore amber chains and amulets as individual chains or multiple string colliers; the colliers had up to nine strings and over a hundred amber beads. [80]

7. Casket with Scenes of Romances (Walters 71264) - Wikipedia

   en.wikipedia.org/wiki/Casket_with_Scenes_of...

   The object called by the museum Casket with Scenes of Romances (catalogued as Walters 71264) is a French Gothic ivory casket made in Paris between 1330 and 1350, and now in the Walters Art Museum, Baltimore, Maryland. The casket is 4 5/8 inches high, 9 15/16 inches wide and 5 1/16 inches deep (11.8 × 25.2 × 12.9 cm).