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Over time, the youth that gathered in Harajuku or at Harajuku Bridge disappeared. One possible explanation is that the introduction of fast fashion from retailers H&M and Forever 21 caused a reduction in the consumption of street fashion. [47] [16] FRUiTS ceased publication while the Gothic & Lolita Bible was put on hiatus in 2017.
The Harajuku area is known internationally as a center of Japanese youth culture and fashion. [3] Jingu Bridge has become one of the locality's popular landmarks. Since the 1960s, it has attracted numerous cosplayers, performers, people dressed in visual kei, lolita fashion (sometimes in gothic variations), or similar outfits, and tourists.
Comme des Garçons garments on display at the Metropolitan Museum of Art. Although Japanese street fashion is known for its mix-match of different styles and genres, and there is no single sought-after brand that can consistently appeal to all fashion groups, the huge demand created by the fashion-conscious population is fed and supported by Japan's vibrant fashion industry.
Get in ladies, we’re going shopping… and to the theaters! Mean Girls became a bonafide classic after it came out in 2004. Now, 20 years later, a new musical version is set to premiere this ...
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The show follows a teenage girl group called HJ5 and their manager Rudie who live in a fantasy version of Tokyo called Harajuku City. HJ5 is a quintet: the four Harajuku Girls (Love, Angel, Music and Baby) with their leader G. Episodes follow the band members and Rudie overcoming obstacles preventing them from performing.
Ganguro (ガングロ) is an alternative fashion trend among young Japanese women which peaked in popularity around the year 2000 and evolved from gyaru.. The Shibuya and Ikebukuro districts of Tokyo were the centres of ganguro fashion; it was started by rebellious youth who contradicted the traditional Japanese concept of beauty; pale skin, dark hair and neutral makeup tones.
The Harajuku Girls performing on the Harajuku Lovers Tour 2005. The Harajuku Girls are four Japanese and Japanese-American backup dancers featured in stage shows and music videos for Gwen Stefani during her solo pop/dance-record career. [1] The women also act as an entourage at Stefani's public appearances.