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All poetry was originally oral, it was sung or chanted; poetic form as we know it is an abstraction therefrom when writing replaced memory as a way of preserving poetic utterances, but the ghost of oral poetry never vanishes. [28] Poems may be read silently to oneself, or may be read aloud solo or to other people.
Speculative poetry, also known as fantastic poetry (of which weird or macabre poetry is a major sub-classification), is a poetic genre which deals thematically with subjects which are "beyond reality", whether via extrapolation as in science fiction or via weird and horrific themes as in horror fiction. Such poetry appears regularly in modern ...
[112] [113] [120] However, developments in modern literature, including free verse and prose poetry have tended to blur the differences, and poet T.S. Eliot suggested that while "the distinction between verse and prose is clear, the distinction between poetry and prose is obscure". [121]
The poem was created as part of a friendly competition in which Shelley and fellow poet Horace Smith each created a poem on the subject of Egyptian pharaoh Ramesses II under the title of Ozymandias, the Greek name for the pharaoh. Shelley's poem explores the ravages of time and the oblivion to which the legacies of even the greatest are subject.
A U.S. Marine helps a student with reading comprehension as part of a Partnership in Education program sponsored by Park Street Elementary School and Navy/Marine Corps Reserve Center Atlanta. The program is a community outreach program for sailors and Marines to visit the school and help students with class work.
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The collection deals with technology and language's relationship with technology, as well as themes of identity. [4] In Fields Magazine, Shannon Austin commented on the collection's treatment of language, writing that Choi "[...] plays with language, manipulating typical definitions, sentence structures, and grammatical rules in order to reject what we have come to think of as the norm".