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The technique chosen and the resulting dyed fabric depends upon both the type of fabric and the dyestuff used; shibori demands a pliant and easy-to-handle fabric, with some historic dyeing techniques – such as the original technique of tsujigahana – now impossible to recreate entirely due to the fact that the fabric necessary for the ...
Tie-dye is a term used to describe a number of resist dyeing techniques and the resulting dyed products of these processes. The process of tie-dye typically consists of folding, twisting, pleating, or crumpling fabric or a garment, before binding with string or rubber bands, followed by the application of dye or dyes. [ 1 ]
Leheria dyeing is done on thin cotton or silk cloth, usually in lengths appropriate for dupatta, turbans or saris. According to World Textiles: A Visual Guide to Traditional Techniques , the fabric is "rolled diagonally from one corner to the opposite selvedge , and then tied at the required intervals and dyed".
Bandhani craft. Bandhani is a type of tie-dye textile decorated by plucking the cloth with the fingernails into many tiny bindings that form a figurative design. [1] Today, most Bandhani making centers are situated in Gujarat, [2] Rajasthan, [1] Sindh, Punjab region [3] and in Tamil Nadu where it is known as Sungudi.
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The dye is absorbed by the cloth which, when it is removed from the loom, leaves the yarn dyed at the places where it touched the yarn. A single dyeing will leave the yarn spotty in colour. More detailed designs are produced through an eight-stage process of tying and dyeing the yarn, which requires a high degree of skill and time.
Beni itajime is a block-resist dyeing method that was common throughout the Meiji period (1868-1912), used to create red lining fabrics with crisp white designs. In China, the jia xie method, invented around 500 AD, uses wooden blocks to dye patterns onto fabric, usually silk .
In other resist-dyeing techniques such as tie-dye and batik the resist is applied to the woven cloth, whereas in ikat the resist is applied to the yarns before they are woven into cloth. Because the surface design is created in the yarns rather than on the finished cloth, in ikat both fabric faces are patterned.