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The Uptown Theater, known as The Uptown (formerly Cineplex Odeon Uptown or AMC Loews Uptown 1), was a single-screen movie theater in the Cleveland Park neighborhood of Washington, D.C. Opened in 1936, it hosted the world premieres of such movies as 2001: A Space Odyssey and Jurassic Park. It closed in March 2020. [1] [2]
AMC Theatres – as of July 2012 AMC divested of its Canadian operations, selling four to Cineplex, two to Empire Theatres which were later sold to Landmark Cinemas in 2013, closing two. Empire Theatres – closed on October 29, 2013, by selling most of their locations to Cineplex Entertainment and Landmark Cinemas and closing 3 others that ...
The Bogart's restaurant has since closed, [4] with the space remaining open under the AMC Theatres brand starting in 2017. [5] Muvico sold its Maryland Egyptian 24 location and three of its Florida locations, The Palace 20 in Boca Raton, the Boynton Beach 14 in Boynton Beach, FL and the Paradise 24 in Davie to Cinemark in March 2009. [6]
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AMC Entertainment Holdings, Inc. (doing business as AMC Theatres, originally an abbreviation for American Multi-Cinema; often referred to simply as AMC and known in some countries as AMC Cinemas or AMC Multi-Cinemas) is an American movie theater chain founded in Kansas City, Missouri, and now headquartered in Leawood, Kansas. It is the largest ...
The Uptown Theatre in Chicago. A movie palace (or picture palace in the United Kingdom) is a large, elaborately decorated movie theater built from the 1910s to the 1940s. The late 1920s saw the peak of the movie palace, with hundreds opening every year between 1925 and 1930.
The million dollar Mark Strand Theatre at 47th Street and Broadway in New York City opened in 1914 by Mitchell Mark was the archetypical movie palace. The ornate Al. Ringling Theatre was built in Baraboo, WI by Al Ringling, one of the founders of the Ringling Bros. Circus, for the then-incredible sum of $100,000.
Event Cinema was set up at the start of the century with rock concerts by Bon Jovi (2001), David Bowie (2003), and Robbie Williams (2005) bringing non-film audiences into cinemas that had newly installed digital equipment.