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Carmen Lundy – Old Devil Moon (1997) David Campbell - Taking the Wheel (1997) Rosemary Clooney - At Long Last (with the Count Basie Orchestra) (1998) Bobby Caldwell - Come Rain Or Come Shine (1999) Stan Kenton - At the Rendezvous, Vol 2 (2000) (vocal by Ann Richards) Jamie Cullum – Twentysomething (2003)
Big Band Sound is a 1970 compilation album of standards by Jo Stafford.The songs were recorded between 1960 and 1970 and see Stafford backed by a number of big band arrangers, notably her husband Paul Weston, as well as Billy May and Benny Carter. [2]
The following is a list of compilation albums of songs recorded by U.S. singer Jo Stafford that were released between 1955 and 1999. They include material from her solo career, and recordings she made with artists such as Gordon MacRae, as well as her foray into comedy with husband Paul Weston as New Jersey lounge act Jonathan and Darlene Edwards.
"Old Devil Moon" w. E. Y. Harburg m. Burton Lane "The Old Lamp-Lighter" w. Charles Tobias m. Nat Simon "The Old Soft Shoe" w. Nancy Hamilton m. Morgan Lewis. Introduced by Ray Bolger in the revue Three to Make Ready. "Ole Buttermilk Sky" w.m. Hoagy Carmichael "On The Boardwalk In Atlantic City" w. Mack Gordon m. Josef Myrow
"Jump for Joy" (Duke Ellington, Sid Kuller, Paul Francis Webster) - 2:07 " Back in Your Own Backyard " ( Dave Dreyer , Al Jolson , Billy Rose ) - 2:26 " When My Sugar Walks Down the Street " ( Gene Austin , Jimmy McHugh , Irving Mills ) - 1:58
Fly Me to the Moon: Bart Howard "The World Is Your Balloon" E. Y. Harburg, Sammy Fain: Donald O'Connor & Jerry Van Dyke Vaudeville Medley: a) "In Those Good Old Days of Vaudeville" b) "Nagasaki" c) "Yacka Hula Hickey Dula" d) "You Can Always Find a Little Sunshine at the Y.M.C.A." e) "At the Moving-Picture Ball" f) "The Old Soft Shoe" Donald O ...
The ensuing madness was one of the wilder and weirder stories in NFL lore — part who done it, part high-paid legal drama, part science lesson, part Rorschach test, part character assassination ...
The AllMusic review of Volume 1 by Scott Yanow states, "Although Johnson has a couple of features, Clifford Brown largely steals the show". [6]The AllMusic review of Volume 2 by Stephen Cook states, "J.J. Johnson's Blue Note sides from the first half of the '50s represent some of the best bop of the day.