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  2. Audio normalization - Wikipedia

    en.wikipedia.org/wiki/Audio_normalization

    Audio normalization is the application of a constant amount of gain to an audio recording to bring the amplitude to a target level (the norm). Because the same amount of gain is applied across the entire recording, the signal-to-noise ratio and relative dynamics are unchanged.

  3. EBU R 128 - Wikipedia

    en.wikipedia.org/wiki/EBU_R_128

    EBU R 128 is a recommendation for loudness normalisation and maximum level of audio signals. It is primarily followed during audio mixing of television and radio programmes and adopted by broadcasters to measure and control programme loudness. [1]

  4. DaVinci Resolve - Wikipedia

    en.wikipedia.org/wiki/DaVinci_Resolve

    DaVinci Resolve is a proprietary color grading, color correction, visual effects, ... [32] [76] The Resolve-integrated software supports up to 1000 audio tracks, ...

  5. Audio mixing (recorded music) - Wikipedia

    en.wikipedia.org/wiki/Audio_mixing_(recorded_music)

    In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied ...

  6. ReplayGain - Wikipedia

    en.wikipedia.org/wiki/ReplayGain

    ReplayGain is a proposed technical standard published by David Robinson in 2001 to measure and normalize the perceived loudness of audio in computer audio formats such as MP3 and Ogg Vorbis. It allows media players to normalize loudness for individual tracks or albums.

  7. Out of Phase Stereo - Wikipedia

    en.wikipedia.org/wiki/Out_Of_Phase_Stereo

    Out of Phase Stereo (OOPS) is an audio technique which manipulates the phase of a stereo audio track, to isolate or remove certain components of the stereo mix. It works on the principle of phase cancellation, in which two identical but inverted waveforms summed together will "cancel the other out". [1]

  8. Dynamic range compression - Wikipedia

    en.wikipedia.org/wiki/Dynamic_range_compression

    The European Broadcasting Union (EBU) has been addressing this issue in the EBU PLOUD group, which consists of over 240 audio professionals, many from broadcasters and equipment manufacturers. In 2010, the EBU published EBU R 128 which introduces a new way of metering and normalizing audio. The Recommendation uses ITU-R BS.1770 loudness metering.

  9. Dialnorm - Wikipedia

    en.wikipedia.org/wiki/Dialnorm

    Dialnorm is the metadata parameter that controls playback gain within the Dolby Laboratories Dolby Digital (AC-3) audio compression system. Dialnorm stands for dialog normalization. [ 1 ] Dialnorm is an integer value with range 1 to 31 corresponding to a playback gain of −30 to 0 dB (unity) respectively.