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The indigenous women of the Isthmus of Tehuantepec are known for wearing two huipils. The first is a short velvet huipil which is heavily embroidered with floral motifs and a second one for special occasions, usually white, which frames the face then extends over the head covering the neck and shoulders.
A Mexican fandango from the 19th century. In the image a china woman can be seen dancing with her characteristic fine attire, to the sound of a harp.. The fashion design of the china poblana dress is attributed to Catarina de San Juan, although it certainly incorporates elements from the diverse cultures that were mixed in New Spain during three centuries of Spanish rule.
After the Spanish conquest of the Aztec Empire, the production of cloth and the wearing of clothes in Mesoamerica changed drastically. Most pre-Hispanic forms of dress and body adornment were banned by the Spanish as "uncivilized." Indigenous, European and Asian fabrics influenced Mexican cloth production by the mid colonial period.
Popular early 1970s fashions for women included Tie dye shirts, Mexican 'peasant' blouses, [14] folk-embroidered Hungarian blouses, ponchos, capes, [15] and military surplus clothing. [16] Bottom attire for women during this time included bell-bottoms , gauchos, [ 15 ] [ 17 ] frayed jeans , midi skirts , and ankle-length maxi dresses .
Both women wear dark parlets; the V-neck front and pointed back are common in Flanders. They wear linen headdresses, probably a single rectangle of cloth pinned into a hood (note knots in the corners behind). Men wear baggy hose, short doublets (one with a longer jerkin beneath), and soft, round hats, 1568.
Sleeves became narrower as the period progressed, with a frill at the elbow, and elaborate separate ruffles called engageantes were tacked to the shift sleeves, in a fashion that would persist into the 1770s. Necklines on dresses became deeper as time went on allowing for greater display of ornamentation on the neck area.
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