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The Touch (Swedish: Beröringen) is a 1971 Swedish romantic drama film directed and written by Ingmar Bergman and starring Max von Sydow, Bibi Andersson, Elliott Gould, and Sheila Reid. The film tells the story of an affair between a married woman and an impetuous foreigner. It contains references to the Virgin Mary and the Holocaust.
The Touch of Satan is a 1971 American independent horror film directed by Don Henderson and starring Michael Berry and Emby Mellay in their debut roles. The film was shot between 1968 and 1970 in the Santa Ynez, California area and featured early work by movie makeup artist Joe Blasco, cinematographer Jordan Cronenweth, and composer Robert O. Ragland.
The Touch, an album by Alabama "The Touch" (Kim Wilde song), from the 1984 album Teases & Dares "The Touch" (Stan Bush song), from the 1986 album The Transformers The Movie soundtrack; The Touch (radio network), a 24-hour music format "The Touch", a song by Maria Arredondo "The Touch", a song by Ricky Martin from his 2000 album Sound Loaded
Highest-grossing films of 1971 Rank Title Distributor Domestic gross 1 Billy Jack: Warner Bros. $98,000,000 2 Fiddler on the Roof: United Artists: $78,722,370 3 Diamonds Are Forever: United Artists $43,800,000 4 The French Connection: 20th Century Fox: $41,158,757 5 Summer of '42: Warner Bros. $32,063,634 6 Dirty Harry: Warner Bros. $28,153,434 ...
The Medusa Touch (also known as La Grande Menace) is a 1978 supernatural horror thriller film directed by Jack Gold. It stars Richard Burton , Lino Ventura , Lee Remick and Harry Andrews , and features Alan Badel , Derek Jacobi , Gordon Jackson , Jeremy Brett and Michael Hordern . [ 1 ]
Before the film's release, estimations of Bergman were lowered by The Rite (1969) and The Touch (1971). [81] In Sweden, Svenska Dagbladet critic Åke Janzon and Dagens Nyheter critic Hanserik Hjerten assessed Cries and Whispers as a poetically-rendered psychological study. [82]
Ziehm co-directed the film with Michael Benveniste and served as its director of photography. The film had no credits because the filmmakers didn't want to draw attention to themselves, and since Osco was the one travelling around and selling the movie to theaters, he was sometimes thought of as the director or sole creator of Graffiti's films.
Michael Findlay (August 27, 1937 [citation needed] – May 16, 1977) was an American filmmaker, producer and screenwriter. [1] Along with his wife Roberta, Findlay created numerous low-budget Z movies in the 1960s and 1970s.