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Jose Feliciano with two MD 421 microphones (for vocals and guitar) in 1970. With a diaphragm diameter of 27 millimeters (1.1 in), the MD 421 is classified as a large-diaphragm microphone. Its wide frequency response (30–17,000 Hz ± 3 dB) exceeded the former Hi-Fi standard and came close to the performance of condenser microphones.
Liebig condenser. The Liebig condenser (/ ˈ l iː b ɪ ɡ /, LEE-big) [1] or straight condenser is a piece of laboratory equipment, specifically a condenser consisting of a straight glass tube surrounded by a water jacket. In typical laboratory operation, such as distillation, the condenser is clamped to a retort stand in vertical
In 1973 the Schoeps "Colette" (CMC) series came out, a modular system of microphones that allowed the amplifier to be separated from the sound capsule. The microphone consisted of four amplifiers , for different powering schemes, and about 20 capsules, for different directional patterns and/or frequency response characteristics (any capsule of ...
A Dimroth condenser, also known as a spiral condenser, named after Otto Dimroth, is somewhat similar to the coil condenser; it has an internal double spiral through which coolant flows such that the coolant inlet and outlet are both at the top. [19] [20] The vapors travel through the jacket from bottom to top. Dimroth condensers are more ...
C12 - a valve condenser microphone - the original version is now a collectors' item selling for around $10,000; C12VR - "The C12 VR is an enhanced version of the original C12, from the capsule sound to the original 6072A vacuum tube carefully handcrafted in Vienna, Austria." [24] C214 - a large diaphragm condenser with single Cardioid pickup ...
The condenser microphone, invented at Western Electric in 1916 by E. C. Wente, [22] is also called a capacitor microphone or electrostatic microphone—capacitors were historically called condensers. The diaphragm acts as one plate of a capacitor, and audio vibrations produce changes in the distance between the plates.
Electret microphones require no polarizing voltage unlike other condenser microphones, but normally contain an integrated preamplifier which requires a small amount of power (often incorrectly called polarizing power or bias). This preamp is frequently phantom powered in sound reinforcement and studio applications. Other types include a 1.5 V ...
A sound reinforcement system for a rock concert in a stadium may be very complex, including hundreds of microphones, complex live sound mixing and signal processing systems, tens of thousands of watts of amplifier power, and multiple loudspeaker arrays, all overseen by a team of audio engineers and technicians.