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The International Center of Photography (ICP) is a photography museum and school at 84 Ludlow Street on the Lower East Side of Manhattan in New York City. [1] ICP's photographic collection, reading room, and archives are at Mana Contemporary in Jersey City, New Jersey. [2] The organization was founded by Cornell Capa in 1974. [3]
From 1999 to 2009 he was a contract photographer for Newsweek Magazine. In addition to Newsweek he has worked on assignment for Time, The Sunday Times, The New York Times, Paris Match, and Stern and his work has been published by magazines and newspapers worldwide. His work has also been exhibited worldwide and is in the collections of several ...
Taryn Simon (born February 4, 1975) is an American multidisciplinary artist who works in photography, text, sculpture, and performance.. Currently residing and maintaining a studio practice in New York City, Simon has had work featured in the Venice Biennale (2015).
Midtown Y Photography Gallery was a pioneering nonprofit organisation in New York that offered photographers an opportunity to publicly exhibit their work. The Gallery ran from 1972 until 1996 directed in turn by photographers Larry Siegel, Sy Rubin and Michael Spano.
In 1970 Farber moved to New York City and began experimenting with photography. He entered his early photographs into outdoor art shows around Manhattan in the "graphics" category because photography was not widely recognized as a legitimate art form in the late 1960s and early 1970s. [4]
Alan Cumming's husband, Grant Shaffer, is an accomplished illustrator and photographer. With more than 30 years as part of New York City’s art scene, the San Francisco-born creative has had his ...
Pages in category "Photographers from New York City" The following 200 pages are in this category, out of approximately 332 total. This list may not reflect recent changes .
The New York school of photography is identified by Jane Livingston as "a loosely defined group of photographers who lived and worked in New York City during the 1930s, 1940s and 1950s" and who, although disinclined to commit themselves to any group or belief, "shared a number of influences, aesthetic assumptions, subjects, and stylistic earmarks".