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A bindi is a bright dot of some colour applied in the centre of the forehead close to the eyebrows or in the middle of the forehead that is worn in the Indian subcontinent (particularly amongst Hindus in India, Nepal, Bhutan, and Sri Lanka) [3] and Southeast Asia among Balinese, Javanese, Sundanese, Malaysian, Singaporean, Vietnamese, and ...
In Tantra, Bindu (or Bindu visarga—"falling of the drop") is a point at the back of the head where Brahmins grow their tuft of hair. [7] [8] This point is below the sahasrara chakra and above the ajna chakra, and is represented by a crescent moon with a white drop. It represents the manifestation of creations such as consciousness. [9]
A religious symbol is an iconic representation intended to represent a specific religion, or a specific concept within a given religion. [ 1 ] Religious symbols have been used in the military in many countries, such as the United States military chaplain symbols .
The art and science of designing temples includes the study of sculpture and the ornamentation of religious significance as described in sacred texts (shilpa shaastra aagamas). In Ancient India twelve years of theoretical and practical training used to be given to the student by an able experienced teacher.
It starts at the bridge of the nose and continues as two vertical lines to the top of the forehead. This is said to represent the temple of God. Within these lines, between the eyebrows is a black dot, made from the slate found in Barsana, Uttar Pradesh, the sacred birthplace of Radha. This is said to represent God as Radha and Krishna together.
In the religious art of Ancient Greece, Ancient Rome, Christianity, Hinduism, and Buddhism (among other religions), sacred persons may be depicted with a halo in the form of a circular glow, or flames in Asian art, around the head or around the whole body—this last form is often called a mandorla.
The Coexist image created by Piotr Młodożeniec. The Coexist image (often styled as "CoeXisT" or "COEXIST") is an image created by Polish, Warsaw-based graphic designer Piotr Młodożeniec [] in 2000 as an entry in an international art competition sponsored by the Museum on the Seam for Dialogue, Understanding and Coexistence.
There are three horizontal lines of vibhuti (holy ash) on the brow, often with a dot as the third eye. Holy ash, remains from yagya or sacrificial fire-wood is a reminder of the temporary nature of the physical body and the importance of spiritual attainment and closeness to Shiva (Atman-Brahman).