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The four temperament theory is a proto-psychological theory which suggests that there are four fundamental personality types: sanguine, choleric, melancholic, and phlegmatic. [ 2 ] [ 3 ] Most formulations include the possibility of mixtures among the types where an individual's personality types overlap and they share two or more temperaments.
As indicated in the subtitle, each of its four movements is a musical sketch of a humor of the four temperaments: choleric, phlegmatic, melancholic, and sanguine. Despite its apparent concept of program music, the work is a fully integrated symphony in traditional symphonic structure.
The melancholic and choleric, however, shared a sustained response (dryness), and the sanguine and phlegmatic shared a short-lived response (wetness). This meant that the choleric and melancholic both would tend to hang on to emotions like anger, and thus appear more serious and critical than the fun-loving sanguine, and the peaceful phlegmatic.
The four humors as depicted in an 18th-century woodcut: phlegmatic, choleric, sanguine and melancholic. The imbalance of humors, or dyscrasia, was thought to be the direct cause of all diseases. Health was associated with a balance of humors, or eucrasia. The qualities of the humors, in turn, influenced the nature of the diseases they caused.
In fact, the original four types of temperament (choleric, melancholic, phlegmatic and sanguine) suggested by Hippocrates and Galen resemble mild forms of types of psychiatric disorders described in modern classifications. Moreover, Hippocrates-Galen hypothesis of chemical imbalances as factors of consistent individual differences has also been ...
The four temperaments, harm avoidance, reward dependence, novelty-seeking and persistence, are somewhat analogous to ancient conceptions of melancholic, sanguine, choleric, phlegmatic personality types, although the temperaments reflect dimensions rather than distance categories.
With this observation, Kant will attempt to fit the various feelings of the beautiful and sublime, and the resulting moral characters, into Galen's rigid arrangement of the four humours or human temperaments: melancholic, sanguine, choleric, and phlegmatic. Kant asserted that the human temperaments or dispositions are fixed and separate characters.
People were thought to be either of the four temperaments: choleric, melancholic, phlegmatic, or sanguine. During the Middle Ages in Europe, the Latin term complexio served as the translated form of the Greek word crasis, meaning temperament. [1]