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His poem "Metai" (The Seasons) is considered the most successful hexameter text in Lithuanian as yet. For dactylic hexameter poetry in Hungarian language, see Dactylic hexameter#In Hungarian. Albert Meyer (1893–1962) used a natural form of hexameter in his translation of some verses from Homer's Odyssey into the Swiss dialect of Bern. [3]
A treatise on poetry by Diomedes Grammaticus is a good example, as this work categorizes dactylic hexameter verses in ways that were later interpreted under the golden line rubric. Independently, these two trends show the form becoming highly artificial—more like a puzzle to solve than a medium for personal poetic expression.
The individual rhythmical patterns used in Greek and Latin poetry are also known as "metres" (US "meters"). Greek poetry developed first, starting as early as the 8th century BC with the epic poems of Homer and didactic poems of Hesiod, which were composed in the dactylic hexameter. A variety of other metres were used for lyric poetry and for ...
The Latin rhythmic hexameter [1] or accentual hexameter [2] is a kind of Latin dactylic hexameter which arose in the Middle Ages alongside the metrical kind. The rhythmic hexameter did not scan correctly according to the rules of classical prosody; instead it imitated the approximate sound of a typical metrical hexameter by having roughly the same number of syllables and putting word accents ...
Poems in hendecasyllables all run on in the same meter, namely spondee (but see below), dactyl, trochee, trochee, spondee. Catullus is rather freer than Martial, in that he will occasionally start a line with a trochee or iambus, as in lines 2 and 4 respectively of the opening poem of his book, whereas Martial keeps to a spondaic opening.
Aratus of Soli. Aratus (/ ə ˈ r eɪ t ə s /; Ancient Greek: Ἄρατος ὁ Σολεύς; c. 315/310 – 240 BC) was a Greek didactic poet.His major extant work is his hexameter poem Phenomena (Ancient Greek: Φαινόμενα, Phainómena, "Appearances"; Latin: Phaenomena), the first half of which is a verse setting of a lost work of the same name by Eudoxus of Cnidus.
The "Kiln" (Ancient Greek: Κάμινος, Kaminos), or "Potters" (Κεραμεῖς, Kerameis), is a 23-line hexameter poem that was variously attributed to Homer or Hesiod during antiquity, but is not considered the work of either poet by modern scholars. [1]
The elegiac couplet is presumed to be the oldest Greek form of epodic poetry (a form where a later verse is sung in response or comment to a previous one). Scholars, who even in the past did not know who created it, [3] theorize the form was originally used in Ionian dirges, with the name "elegy" derived from the Greek ε, λεγε ε, λεγε—"Woe, cry woe, cry!"