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The polar patterns illustrated above represent the locus of points in polar coordinates that produce the same signal level output in the microphone if a given sound pressure level (SPL) is generated from that point. How the physical body of the microphone is oriented relative to the diagrams depends on the microphone design.
The boundary microphone can be used as a piano mic by placing it inside the piano lid, an approach which can obtain better pickup of the piano's mix of sharp percussive transients and gentle undertones than other microphone options. Boundary mics are used on hockey boards for body check sound effects. They are also commonly used to record full ...
Mid/side coincident technique employs a bidirectional microphone (with a figure of 8 polar pattern) facing sideways and a cardioid (generally a variety of cardioid, although Alan Blumlein described the usage of an omnidirectional transducer in his original patent) facing the sound source.
the point's direction from the pole relative to the direction of the polar axis, a ray drawn from the pole. The distance from the pole is called the radial coordinate, radial distance or simply radius, and the angle is called the angular coordinate, polar angle, or azimuth. [1] The pole is analogous to the origin in a Cartesian coordinate system.
Microphones have a polar pattern describing their sensitivity as a function of the direction of the incident sound. Many microphones have an omnidirectional polar pattern which means their sensitivity is independent of the direction of the incident sound. Microphones with other polar patterns exist that are more sensitive in a certain direction.
In acoustics, it is used as a measure of the radiation pattern from a source indicating how much of the total energy from the source is radiating in a particular direction. In electro-acoustics, these patterns commonly include omnidirectional, cardioid and hyper-cardioid microphone polar patterns.
[1] [2] Proximity effect is a change in the frequency response of a directional pattern microphone that results in an emphasis on lower frequencies. It is caused by the use of ports to create directional polar pickup patterns, so omni-directional microphones do not exhibit the effect (this is not necessarily true of the "omni" pattern on ...
A common polar pattern for microphones is the cardioid. This has a single direction in which the microphone does not respond to impinging sound waves. Highly directional (shotgun) microphones have more complex polar patterns. These microphones have a large, narrow lobe in the main direction of sound reception but also a smaller lobe in the ...