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Arnakuagsak, goddess responsible for ensuring the hunters were able to catch enough food and that the people remained healthy and strong; Arnapkapfaaluk, sea goddess who inspired fear in hunters; Nerrivik, the sea mother and patron of fishermen and hunters; Nujalik, goddess of hunting on land; Pinga, goddess of the hunt, fertility, and medicine
Diana was not only regarded as a goddess of the wilderness and the hunt, but was often worshiped as a patroness of families. She served a similar function to the hearth goddess Vesta, and was sometimes considered to be a member of the Penates, the deities most often invoked in household rituals. In this role, she was often given a name ...
Ephesia belongs to the series of the Anatolian goddesses (Great mother, or mountain-mother). However she is not a mother-goddess, but the goddess of free nature. In the Homeric Ionic sphere she is the goddess of hunting. [66] Eucleia, as a goddess of marriage in Boeotia, Locris and other cities.
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Kaya-no-hime, the goddess of vegetation, grass and fields. Kisshōten , goddess of good fortune; [21] also known as Kichijōten, Kisshoutennyo (吉祥天女), and as Kudokuten (功徳天), Kisshōten is the Shinto adaption, via Buddhism, from the Hindu goddess, Lakshmi. Kōjin (三宝荒神), is the god of fire, the hearth, and the kitchen.
Atalanta (/ ˌ æ t ə ˈ l æ n t ə /; Ancient Greek: Ἀταλάντη, romanized: Atalántē, lit. 'equal in weight') is a heroine in Greek mythology. There are two versions of the huntress Atalanta: one from Arcadia, [1] whose parents were Iasus and Clymene [2] [3] and who is primarily known from the tales of the Calydonian boar hunt and the Argonauts; [4] and the other from Boeotia, who ...
Diana and Actaeon by Titian; the moment of surprise. The myth of Diana and Actaeon can be found in Ovid's Metamorphoses. [1] The tale recounts the fate of a young hunter named Actaeon, who was a grandson of Cadmus, and his encounter with chaste Artemis, known to the Romans as Diana, goddess of the hunt.
Tondo of a Laconian black-figure cup by the Naucratis Painter, c. 555 BCE (). Since the Calydonian boar hunt drew together numerous heroes [5] —among whom were many who were venerated as progenitors of their local ruling houses among tribal groups of Hellenes into Classical times—it offered a natural subject in classical art, for it was redolent with the web of myth that gathered around ...