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Bongo Flava is one of the newer Tanzanian genres, developed in the 1990s, and is a fusion genre. It is a continuation of muziki wa kizazi kipya, meaning "Music of the new generation" of the late '80s and early '90s. [11] At its inception, bongo flava was more heavily influenced by US hip-hop and reggae, fused with Tanzanian music styles. [6 ...
Nyabinghi music is played in 4/4 time on three drums: Thunder: It is a double-headed bass drum, played with a mallet. The strokes are an open tone on 1 and a dampened stroke on 3. Occasionally, the thunder player will syncopate the rhythm. It is typically held in the lap and beaten with a padded stick (a tennis ball is often used).
In 1972, Nze Dan Orji, and Raphael Amarabem formed the Peacocks International Band. The band’s first single, “Sambola Mama,” was the first truly popular Bongo music. It would go on to sell 150,000 copies in Ghana, and more than double that amount in Nigeria. The 1970s and ‘80s marked the strongest periods in the trajectory of Bongo ...
English: Music and lyrics of the song "Good Morning to All", with third verse "Happy Birthday to You", printed in 1912 in Beginners book of Songs with instructions unauthorized publication, which do not credit Hill’s 1893 melody.
Bongos are mainly employed in the rhythm section of son cubano and salsa ensembles, often alongside other drums such as the larger congas and the stick-struck timbales. In these groups, the bongo player is known as bongosero and often plays a continuous eight-stroke pattern called martillo (lit.
While many scholars and journalists use Bongo Flava and Hip Hop interchangeably, distinctions are made by many Bongo Flava and Hip Hop artists. [9] [10] Bongo flava borrows from Tanzanian hip hop, with fast rhythms and rhymes in Swahili. The name "Bongo Flava" comes from the Swahili word for brains: ubongo. Bongo is the nickname of Dar es Salaam.
4) (Play ⓘ) and triple-pulse (12 8) form (Play ⓘ, and Play both together ⓘ. The most commonly used key pattern in sub-Saharan Africa is the seven-stroke figure known in ethnomusicology as the standard pattern, [18] [19] [20] or bembé. [21] The standard pattern is expressed in both a triple-pulse (12 8 or 6 8) and a duple-pulse (4 4 or 2 ...
The first ethnologists to work with the Bongo language were John Petherick, who published Bongo word lists in his 1861 work, Egypt, the Soudan, and Central Africa; Theodor von Heuglin, who also published Bongo word lists in Reise in das Gebiet des Weissen Nil, &c. 1862-1864 in 1869; and Georg August Schweinfurth, who contributed sentences and vocabularies in his Linguistische Ergebnisse, Einer ...