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[12] [13] The art historian Luke Syson agrees, dating the painting to c. 1499, though Martin Kemp and Frank Zöllner date the work to c. 1504–1510 and c. 1507 or later respectively. [ n 1 ] Based on their similarity in style and materials to the studies for The Virgin and Child with Saint Anne , Carlo Pedretti dates the drapery studies in the ...
Salvator Mundi, Latin for Saviour of the World, is a subject in iconography depicting Christ with his right hand raised in blessing and his left hand holding an orb (frequently surmounted by a cross), known as a globus cruciger. The latter symbolizes the Earth, and the whole composition has strong eschatological undertones.
The Starry Night is an oil-on-canvas painting by the Dutch Post-Impressionist painter Vincent van Gogh, painted in June 1889.It depicts the view from the east-facing window of his asylum room at Saint-Rémy-de-Provence, just before sunrise, with the addition of an imaginary village.
The globus cruciger (Latin for 'cross-bearing orb'), also known as stavroforos sphaira (Greek: σταυροφόρος σφαίρα) [1] or "the orb and cross", is an orb surmounted by a cross. It has been a Christian symbol of authority since the Middle Ages , used on coins , in iconography , and with a sceptre as royal regalia .
The orb, or the globe of the world, is rarely shown with the other two persons of the Trinity and is almost exclusively restricted to God the Father, but is not a definite indicator since it is sometimes used in depictions of Christ. A book, although often depicted with the Father is not an indicator of the Father and is also used with Christ. [1]
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Mannequins, playing cards, nudes, and levitating orbs also figured in the work. [18] In a nod to Magritte, his men sometimes wear bowler hats. [19] Another influence may have been the works of the Franco-Belgian surrealist Gaston Bogaert (1918-2008). Serrier's first major exhibit of these works, in Geneva in 1971, was titled Le Réalisme ...
[10] [11] [12] The museum states that the use of the statute of limitations was a last resort after spending $500,000 on researching the painting's provenance, yet failing to reach agreement with the heirs. Several historians have pointed out that the case against Detroit Institute of Arts is weak compared to other art restitution cases.