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King of Kings is a 1961 American epic religious film directed by Nicholas Ray and produced by Samuel Bronston for Metro-Goldwyn-Mayer. Adapted from the New Testament , the film tells the story of Jesus of Nazareth from his birth and ministry to his crucifixion and resurrection .
The King of Kings is an upcoming American animated Christian film written and directed by Seong-ho Jang, loosely inspired by the children's book The Life of Our Lord.It features the voices of Kenneth Branagh, Uma Thurman, Mark Hamill, Pierce Brosnan, Roman Griffin Davis, Forest Whitaker, Ben Kingsley and Oscar Isaac.
The two get into a fight. Guddu approaches the scene, and Patlu realizes that Motu is fighting the wrong lion. After also realizing this, Motu confronts King Singha for his supposed "evil actions". As Motu and King Singha fight, King Singha tells Motu that Narasimha is a "demon disguised as a human" and tells Motu of his plans.
The King of Kings is tremendous from every standpoint. It is the finest piece of screen craftsmanship ever turned out by DeMille". [ 8 ] Photoplay described the film as "Cecil B. DeMille's finest motion picture effort" and thought he took "the most difficult and exalted theme in the world's history—the story of Jesus Christ—and transcribed ...
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The King of Kong: A Fistful of Quarters is a 2007 American documentary film about competitive arcade gaming directed by Seth Gordon. It follows Steve Wiebe in his attempts to take the high score record for the 1981 arcade game Donkey Kong from Billy Mitchell. (Mitchell would be exposed as a cheater a decade later.)
The King of Kings, a Cecil B. DeMille film; King of Kings, a Nicholas Ray film; The King of Kings, a 1963 Czech film; King of Kings, a Hong Kong film starring Peter Yang; The King of Kings, an upcoming animated film; Motu Patlu: King of Kings, a 2016 Indian animated film
The King of Comedy is a 1982 [3] American satirical black comedy film directed by Martin Scorsese and starring Robert De Niro (in his fifth collaboration with Scorsese), Jerry Lewis and Sandra Bernhard. [4] Written by Paul D. Zimmerman, the film focuses on themes such as celebrity worship and American media culture.