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The first two Beatles albums, Please Please Me and With The Beatles, were recorded on the BTR two-track machines; [3] with the introduction of four-track machines in 1963 (the first 4-track Beatles recording was "I Want to Hold Your Hand" [4]) there came a change in the way recordings were made—tracks could be built up layer by layer ...
Mixing desk with twenty inputs and eight outputs. Multitracking can be achieved with analogue recording, tape-based equipment (from simple, late-1970s cassette-based four-track Portastudios, to eight-track cassette machines, to 2" reel-to-reel 24-track machines), digital equipment that relies on tape storage of recorded digital data (such as ADAT eight-track machines) and hard disk-based ...
AMPEX 440 (two-track, four-track) and 16-track MM1000 Scully 280 eight-track recorder using 1 inch (25 mm) tape at the Stax Museum of American Soul Music. Multitrack recording of sound is the process in which sound and other electro-acoustic signals are captured on a recording medium such as magnetic tape, which is divided into two or more audio tracks that run parallel with each other.
Phase 4 Stereo was a recording process created by the U.K. Decca Records label in 1961. [1] The process was used on U.K. Decca recordings and also those of its American subsidiary London Records during the 1960s. Phase 4 Stereo recordings were created with an innovative 10-channel, and later 20-channel, "recording console". [2]
There are a number of well-developed microphone techniques used for recording musical, film, or voice sources or picking up sounds as part of sound reinforcement systems. The choice of technique depends on a number of factors, including: The wish to capture or avoid the collection of extraneous noise.
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