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A colourfully decorated classical ballet tutu, on a dress form. A tutu is a dress worn as a costume in a classical ballet performance, often with attached bodice. [1] It may be made of tarlatan, muslin, silk, tulle, gauze, or nylon. Modern tutus have two basic types: the Romantic tutu is soft and bell-shaped, reaching the calf or ankle; the ...
Since the 1930s, ballet costume has inspired the fashion trends of fitted bodices and bell-shaped silhouettes. Materials used for tutus, such as chiffon, silk tulle, [11] and organza were later incorporated into fashion collections. [15] The romantic-era tutu style also had an influence on the design of gowns.
The shortening of the tutu came as a direct result of the increasing intricacy and difficulty of ballet steps. By the 1870s, the length of tutu had changed from mid-calf to above the dancer's knee. Tchaikovsky’s Swan Lake in the late 1870s debuted an even shorter tutu, built with hoops and 10 layers of netting to maintain its flat, wide shape ...
The romantic tutu came about in Paris in 1832 when Marie Taglioni premiered in the skirt in the ballet performance La Sylphide. [3] The skirt is a bell-shaped calf-length style; it falls halfway between the knees and ankles and it was composed of layers of stiffened tarlatan or starched, sheer cotton muslin that gave the illusion of fullness ...
The sculpture exhibited in 1881 was dressed in a real bodice, tutu and ballet slippers and a wig of human hair. All but the hair ribbon and tutu were coated in wax. There are at least 28 bronze casts of this sculpture that appear in museums and galleries around the world today.
Tutu, by Miles Davis, 1986 "Tutu" (song), a 2019 song by Camilo and Pedro Capó "Tutu", a 2020 song by 6ix9ine from TattleTales "Tūtū", a composition by Liliuokalani; Princess Tutu, an anime series, and its title character; Tutu, the wife of Tottles, a Lewis Carroll fictional character; Tutu, by Ben Enwonwu
Because the shorter layers are self-supporting, no wire hoop is needed in the "powder puff" tutu, or the Balanchine-Karinska or American tutu. [13] [14] This tutu design has become standard in ballet companies all over the world since it first appeared in 1950, in the ballet Symphony in C. [13]
The costumes were created by Balanchine's long-time collaborator Barbara Karinska, who created a distinct look for each different act: romantic, calf-length tulle skirts for Emeralds, fabric that flared at the hips of both men and women in Rubies, and the flat, classical tutu of the Imperial Russian Ballet for Diamonds.