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In 2009 Lonergan co-founded the registered charity Artistri Sud, with a mission of supporting and empowering women artisans in developing countries. The goal was to enable women in developing countries to create sustainable livelihoods for themselves [3] by selling self-made products in their micro-enterprises. In addition to empowering women ...
Artistri Sud is a registered charity that provides entrepreneurship training to women artisans in developing countries.The organization was founded in 2009 by Jennifer Lonergan and has implemented entrepreneurship training programs for women artisans and artisan groups in countries including Bolivia, Chile, Cambodia, India and Zimbabwe.
Women in a Ugandan artisan cooperative, Hope Again, making necklaces. By engaging in artisan cooperatives, women can gain new skills and training, access higher quality raw materials, and get paid for finished work directly upon delivery at the cooperative marketplace. In addition, they often have access to benefit programs for cooperative ...
Studies show that when women are directing movies, they are more likely to employ other women in key behind-the-scenes positions than films with male directors. But only 8% of the top 250 grossing ...
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Indego Africa's reports to date show steady improvements in its partners' income, educational outcomes, entrepreneurial activities, and quality of life. [13] As of 2013, 69% of its artisan partners made over $1.50 a day vs. 3% in 2010; 89% reported that Indego Africa trainings helped them run their cooperatives or other businesses; 54% participated in a business outside their cooperative; 77% ...
As well, other women artists have their image shown in the border of the piece; in all, 82 women artists are part of the whole image. [13] [14] This image, addressing the role of religious and art historical iconography in the subordination of women, became "one of the most iconic images of the feminist art movement." [12] [15]
The absence of women from the canon of Western art has been a subject of inquiry and reconsideration since the early 1970s. Linda Nochlin's influential 1971 essay, "Why Have There Been No Great Women Artists?", examined the social and institutional barriers that blocked most women from entering artistic professions throughout history, prompted a new focus on women artists, their art and ...