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Mozart completed the concerto in January 1777, nine months after his Piano Concerto No. 8 in C major and with few significant compositions in the intervening period. [1] He composed the work for Victoire Jenamy, the daughter of Jean-Georges Noverre and a proficient pianist. [2] Mozart performed the concerto at a private concert on 4 October 1777.
Download QR code; Print/export Download as PDF; Printable version; In other projects Wikimedia Commons; ... Piano Concerto No. 9 (Mozart) Piano Concerto No. 10 (Mozart)
Mozart's concertos for piano and orchestra are numbered from 1 to 27. The first four numbered concertos are early works. The movements of these concertos are arrangements of keyboard sonatas by various contemporary composers (Raupach, Honauer, Schobert, Eckart, C. P. E. Bach ).
Mozart Piano Concertos Nos 20 and 21. Cambridge Music Handbooks. Cambridge University Press. ISBN 0-521-48475-8. Hutchings, Arthur (1997). A Companion to Mozart's Piano Concertos. Oxford University Press. ISBN 0-19-816708-3. Mozart, W. A. Piano Concertos Nos. 1–6 in full score. Dover Publications, New York. ISBN 0-486-44191-1
probably WA Mozart himself: 1782 232: 509a "Lieber Freistädtler, lieber Gaulimauli" Canon for 4 voices: probably WA Mozart himself: after 4 June 1787 233: 382d "Leck mir den Arsch fein recht schön sauber" / "Nichts labt mich mehr als Wein" – Canon for 3 voices: probably WA Mozart himself: 1782 234: 382e "Bei der Hitz im Sommer eß ich"
Piano Sonata No. 5 in G major, K. 283/189h (Munich, Autumn 1774) Piano Sonata No. 6 in D major, K. 284/205b (Munich, February–March 1775) Piano Sonata No. 7 in C major, K. 309/284b (Mannheim, November 8, 1777) Piano Sonata No. 8 in A minor, K. 310/300d (Paris, Summer 1778) Piano Sonata No. 9 in D major, K. 311/284c (Mannheim, November ...
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The first movement is based on the initial movement of Honauer's Op. 2, No. 1. The second on one by Johann Gottfried Eckard (Op. 1, No. 4 ), the most famous keyboardist of his day. The third movement is based on C. P. E. Bach's piece La Boehmer, published in the early 1760s. Mozart's cadenzas for the concerto survive. [2]