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The Romanian major scale is a heptatonic scale subset of the octatonic scale with an omitted ♭ 3 degree. It is noted for its flattened 2nd and sharpened fourth degrees, the latter a distinctive feature of Romanian traditional music . [ 1 ]
The term Gypsy scale refers to one of several musical scales named after their support of and association with Romani or "Gypsy" music, the latter being considered derogatory. Double harmonic scale (major), the fifth mode of Hungarian minor, or Double Harmonic minor, scale, also known as the Byzantine scale.
In music, the Ukrainian Dorian scale (or the Dorian ♯4 scale) is a modified minor scale with raised 4th and 6th, and lowered 7th degrees, often with a variable 4th degree. It has traditionally been common in the music of Eastern Europe , Southeast Europe , and the Mediterranean including Jewish, Greek, Ukrainian, and Romanian music.
Tchavolo Schmitt (left) with Steeve Laffont, playing their brand of gypsy jazz at la Chope des Puces, Paris, in 2016. Gypsy jazz (also known as sinti jazz, gypsy swing, jazz manouche or hot club-style jazz) is a musical idiom inspired by the Romani jazz guitarist Jean "Django" Reinhardt (1910–1953), in conjunction with the French jazz violinist Stéphane Grappelli (1908–1997), as expressed ...
Traditionally there are two types of Romani music: one rendered for non-Romani audiences, the other is made within the Romani community. The music performed for outsiders is called "gypsy music", which is a colloquial name that comes from Ferenc Liszt. They call the music they play among themselves "folk music". [19]
They employ elements of lăutărească music, vivid Romanian rhythms, and an air of spontaneity. They exhibit exotic modal coloring, with some scales having 'mobile' thirds, sixths or sevenths, creating a shifting major/minor atmosphere, one of the characteristics of Romanian music. [1]
Traditional Romanian music reflects a confluence of sounds similar to Central European (Hungarian), East European (Ukrainian) as well as Balkan traditional music. In Romanian folk music, emphasis is on melody rather than percussion, with frequent use of the violin for melody. The melody itself and especially the melodic embellishments are ...
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