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The sound effects of Parasite Eve II were influenced by futuristic and sci-fi themes. [9] [10] The 66-track two-disc Parasite Eve II Original Soundtrack was released by DigiCube on December 20, 1999, in Japan. The soundtrack was released in North America by Tokyopop on September 12, 2000. [8] [11]
The game is a sequel to the novel Parasite Eve, written by Hideaki Sena; it is the first game in the Parasite Eve video game series. The story follows New York City police officer Aya Brea over a six-day span in 1997 as she attempts to stop the Eve, a woman who plans to destroy the human race through spontaneous human combustion .
The game is the third entry in the Parasite Eve video game series, based on the titular Japanese novel, and a spin-off, having only a loose connection to events from past games. The game features a third-person shooter -based combat system with role-playing mechanics.
Parasite Eve II is the sequel to the original game, released for the PlayStation, for Japan in 1999 and worldwide in 2000. [16] The 3rd Birthday is the third game of the Parasite Eve series and was released in 2010 for the PlayStation Portable.
Parasite Eve, a 1995 Japanese science fiction horror novel by Hideaki Sena; Parasite Eve, a 1997 Japanese science fiction film based on the novel; Parasite Eve, a 1998 role-playing video game which serves as a sequel to the novel "Parasite Eve" (song), a 2020 single by British rock band Bring Me the Horizon from their project Post Human
Aya Brea was created by Hironobu Sakaguchi, the producer for Parasite Eve, and designed by Tetsuya Nomura.Aya was originally being designed by another artist, but the sketches did not satisfy Sakaguchi, who had wanted a long-haired character like Aerith Gainsborough, a central character from Final Fantasy VII.
The Parasite Eve video game series is based on the 1995 science fiction novel of the same name by Japanese author Hideaki Sena. [1] The role-playing video game Parasite Eve, was released in 1998 for the PlayStation. [2]
Parasite Eve was released theatrically in Japan, where it was distributed by Toho, on February 1, 1997. [1] [3] The film received a relatively limited theatrical release in Japan and was not widely distributed overseas. [2] Variety projected the film would take ¥100 million (US$826, 446) during its five-week run in about 150 Japanese theaters. [8]