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Many 19th-century nocturnes and intermezzi are character pieces as well, including those of Chopin and Brahms, respectively. Large sets of many individual character pieces, intended to be played as a single piece of music, were not uncommon; Schumann's many works of this form (including Kreisleriana and Carnaval) are the best known examples. In ...
Also, Chopin wrote numerous song settings of Polish texts, and chamber pieces including a piano trio and a cello sonata. This listing uses the traditional opus numbers where they apply; other works are identified by numbers from the catalogues of Maurice J. E. Brown ( B ), Krystyna Kobylańska ( KK ), Józef Michał Chomiński ( A , C , D , E ...
Glosa – Type of sacred music composition in 16th century Spain that used a variation construction. [4] Intermedio – Theatrical performance with music performed between the acts of a play to celebrate special occasions in Italian courts. Lauda – Devotional song popular in the medieval Italian church.
The technique required to play Chopin's Études, Op. 10 (1833) and Op. 25 (1837) was extremely novel at the time of their publication; the first performer who succeeded at mastering the pieces was the renowned virtuoso composer Franz Liszt (to whom Chopin dedicated the Op. 10). Liszt himself composed a number of études that were more extensive ...
Examples of the first class are Harmonies poétiques et religieuses of May 1833 and the Piano Sonata B minor. Examples of the second class are Liszt's transcriptions of Schubert songs, his fantasies on operatic melodies, and his piano arrangements of symphonies by Berlioz and Beethoven. As a special case, Liszt also made piano arrangements of ...
While many symphonic poems may compare in size and scale to symphonic movements (or even reach the length of an entire symphony), they are unlike traditional classical symphonic movements, in that their music is intended to inspire listeners to imagine or consider scenes, images, specific ideas or moods, and not (necessarily) to focus on following traditional patterns of musical form such as ...
The music of Liszt. London: Williams & Norgate. pp. 155– 195. S Searle's catalogue, published in 1954 as The Music of Liszt, built upon the 1931 catalogue devised by Peter Raabe: Winklhofer, Sharon (2004). Ferenc Liszt (1811–1886): list of works : comprehensively expanded from the catalogue of Humphrey Searle as revised by Sharon Winklhofer ...
Another definition is to "play or sing (music) extemporaneously, by inventing variations on a melody or creating new melodies, rhythms and harmonies". [2] Encyclopædia Britannica defines it as "the extemporaneous composition or free performance of a musical passage, usually in a manner conforming to certain stylistic norms but unfettered by ...