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  2. John Heussenstamm - Wikipedia

    en.wikipedia.org/wiki/John_Heussenstamm

    John Heussenstamm (born December 28, 1953) is an American guitarist and music educator.He was the original lead guitarist in the Surf Punks, [1] toured with the Deniece Williams Band in 1977, [2] and was a band member of Innocent Bystanders.

  3. Arpeggio - Wikipedia

    en.wikipedia.org/wiki/Arpeggio

    Arpeggios are an important part of jazz improvisation. On guitar, sweep-picking is a technique used for rapid arpeggiation, which is most often found in rock music and heavy metal music. Along with scales, arpeggios are a form of basic technical exercise that students use to develop intonation and technique. They can also be used in call and ...

  4. Paul Hanson (guitarist) - Wikipedia

    en.wikipedia.org/wiki/Paul_Hanson_(guitarist)

    In the mid 1990s Hanson wrote the best-selling guitar instructional book and CD set Shred Guitar [6] published by Warner Bros., and now available from Alfred Publishing. He also created Arpeggios for Lead Guitar (Video, Hal Leonard). In 1999 he started working for Roland and Boss giving music clinics.

  5. Chuck Wayne - Wikipedia

    en.wikipedia.org/wiki/Chuck_Wayne

    His arpeggios are derived from the rule for each two-octave arpeggio: 2-1-2-1-2 (five strings) for playing the tetrad (4 notes) harmonic forms of Chuck Waynes' chordal voicings. Unlike other ad-hoc arpeggio fingerings, the two notes per string followed by one note per string rule provides the characteristic legato sound of Chuck Wayne.

  6. Arpeggione - Wikipedia

    en.wikipedia.org/wiki/Arpeggione

    The body shape of the arpeggione is, however, more similar to a medieval fiddle than either the guitar or the bass viol. It is essentially a bass viol with a guitar-type tuning, E–A–d–g–b–e' . The arpeggione is especially suited to playing runs in thirds, double stops, and arpeggios. [1]

  7. Glossary of music terminology - Wikipedia

    en.wikipedia.org/wiki/Glossary_of_music_terminology

    arpeggio, arpeggiato played like a harp (i.e. the notes of the chords are to be played quickly one after another instead of simultaneously); in music for piano, this is sometimes a solution in playing a wide-ranging chord whose notes cannot be played otherwise; arpeggios are frequently used as an accompaniment; see also broken chord articulato

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