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  2. Film splicer - Wikipedia

    en.wikipedia.org/wiki/Film_splicer

    A film splicer (also called a film joiner, usually in Europe) is a device which can be used to physically join lengths of photographic film. It is mostly used in film motion pictures. The units are made in various types depending on the usage: Single-8, Super 8 film, 16mm, 9,5 mm, 35mm and 70mm. Used in film editing to make a cut (transition ...

  3. Super 8 film - Wikipedia

    en.wikipedia.org/wiki/Super_8_film

    Super 8 mm film is a ... Super 8 spool box 400 ft with splice instructions etc. ... 90–91 Fuji recommended that only tape splices be used when combining Single-8 ...

  4. 8 mm film - Wikipedia

    en.wikipedia.org/wiki/8_mm_film

    Super 8 mm, 8 mm and Standard (double) 8 mm formats Standard and Super 8 mm film comparison. In 1965, Super-8 film was released and was quickly adopted by many amateur film-makers. It featured a better quality image and was easier to use mainly due to a cartridge-loading system that did not require reloading and rethreading halfway through.

  5. 8 mm video format - Wikipedia

    en.wikipedia.org/wiki/8_mm_video_format

    The 8mm tape width was chosen as smaller successor to the 12mm Betamax format, using similar technology (including U-shaped tape loading) [16] but in a smaller configuration in response to the small configuration VHS-C compact camcorders introduced by the competition. It was followed by Hi8, a version with improved resolution.

  6. Film perforations - Wikipedia

    en.wikipedia.org/wiki/Film_perforations

    Film is commonly checked for broken sprocket holes before presentation, a process known as "spooling". Mechanical devices exist for this purpose, but the classic method is to place the finger and thumb of a gloved hand on the edges of the film, which is mounted on a winding bench, and to slowly run the film through the fingers, feeling for snags.

  7. List of silent films released on 8 mm or Super 8 mm film

    en.wikipedia.org/wiki/List_of_silent_films...

    Decades before the video revolution of the late 1970s/early 1980s, there was a small but devoted market for home films in the 16 mm, 9,5 mm, 8 mm, and Super 8 mm film market. Because most individuals in the United States owning projectors did not have one equipped with sound, vintage silent films were particularly well-suited for the market.

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