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The OSNR is the ratio between the signal power and the noise power in a given bandwidth. Most commonly a reference bandwidth of 0.1 nm is used. This bandwidth is independent of the modulation format, the frequency and the receiver. For instance an OSNR of 20 dB/0.1 nm could be given, even the signal of 40 GBit DPSK would not fit in this bandwidth.
ISO 15739:2003, Photography – Electronic still-picture imaging – Noise measurements: specifies methods for measuring and reporting the noise versus signal level and dynamic range of electronic still-picture cameras. It applies to both monochrome and colour electronic still-picture cameras.
The sampling theorem applies to camera systems, where the scene and lens constitute an analog spatial signal source, and the image sensor is a spatial sampling device. Each of these components is characterized by a modulation transfer function (MTF), representing the precise resolution (spatial bandwidth) available in that component. Effects of ...
The space–bandwidth product (SBP) is a measure of the information-carrying capacity of an optical system. [ 1 ] [ 2 ] It is the product of the spatial extent (size) of the system and the bandwidth (frequency range) over which it operates.
The Rayleigh bandwidth of a simple radar pulse is defined as the inverse of its duration. For example, a one-microsecond pulse has a Rayleigh bandwidth of one megahertz. [1] The essential bandwidth is defined as the portion of a signal spectrum in the frequency domain which contains most of the energy of the signal. [2]
If the requirement is to transmit at 50 kbit/s, and a bandwidth of 10 kHz is used, then the minimum S/N required is given by 50000 = 10000 log 2 (1+S/N) so C/B = 5 then S/N = 2 5 − 1 = 31, corresponding to an SNR of 14.91 dB (10 x log 10 (31)). What is the channel capacity for a signal having a 1 MHz bandwidth, received with a SNR of −30 dB ?
The camera encodes its rendered image into the JPEG file using one of the standard gamma values such as 2.2, for storage and transmission. The display computer may use a color management engine to convert to a different color space (such as older Macintosh's γ = 1.8 color space) before putting pixel values into its video memory.
Even professional video cameras mostly use 2/3 inch sensors, prohibiting the use of apertures around f16 that would have been considered normal for film formats. Certain cameras (such as the Pentax K10D) feature an "MTF autoexposure" mode, where the choice of aperture is optimized for maximum sharpness. Typically this means somewhere in the ...