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The comedy and tragedy masks are a pair of masks, one crying and one laughing, that have widely come to represent the performing arts. Originating in the theatre of ancient Greece , the masks were said to help audience members far from the stage to understand what emotions the characters were feeling.
Nevertheless, the mask is known to have been used since the time of Aeschylus and considered to be one of the iconic conventions of classical Greek theatre. [ 19 ] Masks were also made for members of the chorus, who play some part in the action and provide a commentary on the events in which they are caught up.
The Cambridge Companion to Greek and Roman Theatre (Cambridge University Press, 2007). Rehm, Rush. Greek Tragic Theatre (Routledge, 1994). McLeish, Kenneth & Griffiths, Trevor R. A Guide to Greek Theatre and Drama (Methuen, 2003). Wiles, David. Tragedy in Athens(Cambridge University Press, 1999) Laver, James. Costume in the Theatre(Harrap, 1964)
Masks were an important part of Greek theatre, for in theatres such as the Theatre of Dionysus 14,000 people came to watch, including prisoners who were released just for theatrical events. [3] The mouth of a mask was open, as shown in this pelike, and have amplification abilities.
The sock and buskin, like the comedy and tragedy masks, are associated with two Greek Muses, Melpomene and Thalia.Melpomene, the Muse of tragedy, is often depicted wearing buskins and holding the mask of tragedy, while Thalia, the Muse of comedy, is often depicted wearing the comic's socks and holding the mask of comedy.
Greek tragedy is widely believed to be an extension of the ancient rites carried out in honor of Dionysus, the god of wine and theatre, and it heavily influenced the theatre of Ancient Rome and the Renaissance. Tragic plots were most often based upon myths from the oral traditions of archaic epics. In tragic theatre, however, these narratives ...
Melpomene (/ m ɛ l ˈ p ɒ m ɪ n iː /; Ancient Greek: Μελπομένη, romanized: Melpoménē, lit. 'to sing' or 'the one that is melodious') is the Muse of tragedy in Greek mythology . She is described as the daughter of Zeus and Mnemosyne (and therefore of power and memory) along with the other Muses, and she is often portrayed with a ...
Theories of the Theatre: A Historical and Critical Survey from the Greeks to the Present. Expanded ed. Ithaca and London: Cornell University Press. ISBN 978-0-8014-8154-3. Csapo, Eric, and William J. Slater. 1994. The Context of Ancient Drama. Ann Arbor: University of Michigan Press. ISBN 0-472-08275-2. Freund, Philip. 2003. The Birth of Theatre.