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His first wife, Sarah, and eldest son, Newton, who died when 4 years old. (George Caleb Bingham, ca 1841) In 1836, the year Missouri expanded with the Platte Purchase of former Native American territory (thus violating the Missouri Compromise of 1820 which had led to the state's creation), 25-year-old Bingham married 18-year-old Sarah Elizabeth Hutchison (1818–1848), who bore him four ...
George Caleb Bingham's depiction of the execution of the General Order No. 11: Union General Thomas Ewing observes the Red Legs from behind (Order No. 11).. General Order No. 11 is the title of a Union Army directive issued during the American Civil War on August 25, 1863, forcing the abandonment of rural areas in four counties in western Missouri.
Caleb Bingham (1757–1817) was an educator and textbook author of late 18th-century New England, whose works were also influential into the 19th and 20th. Among his most influential works were books on oratory , or public speaking.
In 2016, Holland Cotter of The New York Times considered the painting among the best presidential portraits. [4] In 2020, Crispin artwell of Reason magazine wrote, "John Quincy Adams, by George Caleb Bingham, sets the chastened tone of the generation after the Founders, a beautifully flat and direct approach that contrasts favorably with the grand gestures that preceded it and with some of ...
The Verdict of the People is an 1854 painting by George Caleb Bingham, currently owned by the Saint Louis Art Museum. The last painting of Bingham's Election Series, The Verdict of the People tells the end of the story represented in the series. Within this painting, Bingham hid several political motives and ideas similar to the rest of the ...
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The Columbian Orator is a collection of political essays, poems, and dialogues collected and written by Caleb Bingham. Published in 1797, it includes speeches by George Washington, Benjamin Franklin, and some imagined speeches by historical figures such as Socrates and Cato. [1]
George Caleb Bingham (1811–1879) was an American artist whose paintings of elections in the 1850s are used by historians to explain the complexities and details of grassroots democracy. The paintings were on tour for years, as Americans paid money to see themselves in political action.