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Article 1 of the statutes of the Royal Spanish Academy, translated from Spanish, says the following: [13] The Academy is an institution with legal personality whose main mission is to ensure that the changes experienced by the Spanish language in its constant adaptation to the needs of its speakers do not break the essential unity it maintains ...
Pages in category "Members of the Royal Spanish Academy" The following 200 pages are in this category, out of approximately 207 total. This list may not reflect recent changes .
This article provides a list of all full members (académicos de número), past and present, of the Real Academia Española, the Spanish language regulator institution, as of July 1, 2006. Each member is elected for life by the rest of the academicians from among prestigious Spanish-language authors.
The Diccionario de la lengua española [a] (DLE; [b] English: Dictionary of the Spanish language) is the authoritative dictionary of the Spanish language. [1] It is produced, edited and published by the Royal Spanish Academy, with the participation of the Association of Academies of the Spanish Language.
The association convenes every four years, led by a Permanent Commission composed of a President (position held by the Director of the Spanish Royal Academy), a Secretary General (one of the directors of the other academies), a Treasurer (chosen by the Spanish Royal Academy), and at least two board members drawn from the associated academies ...
Its organizers are the Instituto Cervantes—which serves as the permanent general secretariat—the Royal Spanish Academy, and the Association of Academies of the Spanish Language, as well as the country in charge of each edition. [1] [2]
The Diccionario Panhispánico de dudas (DPD; English: Pan-Hispanic Dictionary of Doubts) is an elaborate work undertaken by the Royal Spanish Academy and the Association of Academies of the Spanish Language with the goal of resolving questions related to the proper use of the Spanish language.
Both brothers were members of the Royal Spanish Academy. Their first resounding success was in 1897 with El ojito right, this success was followed by many others, consisting of Las flores (1901), El genio alegría (1906), Malvaloca (1912), Puebla de las mujeres (1912), Las de Caín (1908), and much later, Mariquilla Terremoto (1930). They were ...