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Graphic notation (or graphic score) is the representation of music through the use of visual symbols outside the realm of traditional music notation.Graphic notation became popular in the 1950s, and can be used either in combination with or instead of traditional music notation. [1]
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Jeongganbo musical notation system. Jeongganbo is a traditional musical notation system created during the time of Sejong the Great that was the first East Asian system to represent rhythm, pitch, and time. [20] [21] Among various kinds of Korean traditional music, Jeong-gan-bo targets a particular genre, Jeong-ak (정악, 正樂).
This notation may be, like music on traditional staves, a time-pitch graph system. Earle Brown's December 1952 consists purely of horizontal and vertical lines varying in width, spread out over the page; it is a landmark piece in the history of graphic notation of music. The role of the performer is to interpret the score visually and translate ...
A piece of music can also be composed with words, images or, since the 20th century, with computer programs that explain or notate how the singer or musician should create musical sounds. Examples range from 20th century avant-garde music that uses graphic notation, to text compositions such as Karlheinz Stockhausen's Aus den sieben Tagen, to ...
By simple definition eye music is when the graphic notation of music is altered in some meaningful way visible to the performers. Often the changed "meaning" of the altered notation is enhanced by the music having compositional elements of melody and form such as word painting and canon. Moreover, the concept is demonstrated by sometimes ...
Racing is part of regular music as well. "Accelerando” and “stringendo” are terms used to indicate to the player that the piece is to pick up steam. Music that races can also quicken the pulse.
Examples from his graphic notation music include: Kolot for harp; Trigon for violin or viola, cello and piano; Actions for Piano' Vera la morte, text by Cesare Pavese, for voice and percussion; Hommage to Picasso, text by Gertrude Stein, for voice; Tetralog. Music for Piano and Winds; Music for Piano and Strings; Music for Piano and Percussion