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The romantic guitar eventually led to a different type of guitar in Spain: the fan-braced Spanish guitars of Torres, which may be seen as the immediate precursor of the modern classical guitar. In the 20th century, many non-guitarist composers wrote for the instrument, whereas previously only players of the instrument had done so.
Latin American music also incorporate the indigenous music of Latin America. [2] Due to its highly syncretic nature, Latin American music encompasses a wide variety of styles, including influential genres such as cumbia, bachata, bossa nova, merengue, rumba, salsa, samba, son, candombe and tango.
The modern classical guitar and its baroque predecessor were invented in Spain. In Spain, music has a long history. It has played an important role in the development of Western music, and has greatly influenced Latin American music. Spanish music is often associated with traditional styles such as flamenco and classical guitar. While these ...
2024 was a spectacular year for Latin music. The De Los team compiled a list of our 30 favorite songs of the year. ... Punctuated by languid guitar lines, this sadder-than-sad gem creates the ...
For example, in Leo Brouwer's Étude No. 20, he supplies a series of melodies that increase in length, and he invites the player to play each section of the melody as many times as he or she chooses. Regional styles are also prevalent in modern guitar music, such as the music of Latin America, where unique harmonies and fresh material can be found.
Duets with the Spanish Guitar is an album by Brazilian guitarist Laurindo Almeida with vocalist Salli Terri and flautist Martin Ruderman. It was released by Capitol Records in 1958. On the recording, Almeida arranged classical and folk repertoire with Latin musical forms.
Bossa nova (Portuguese pronunciation: [ˈbɔsɐ ˈnɔvɐ] ⓘ) is a relaxed style of samba [nb 1] developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. [2] It is mainly characterized by a calm syncopated rhythm with chords and fingerstyle mimicking the beat of a samba groove, as if it was a simplification and stylization on the guitar of the rhythm produced by a samba school band.
I believe that Carlos Barbosa-Lima is a genius of transcriptions of Latin American music for guitar." [24] Barbosa-Lima later recorded for the Zoho music record label and released five recordings under this label and the direction of Barbosa-Lima's recordings as well as his concert programing have a definite Latin American concept. [25]