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The predominant theme of the grand chant was courtly love, but topics were more broad than in the canso, especially after the thirteenth century. The monophonic grand chant of the High Middle Ages (12th–13th centuries) was in many respects the predecessor of the polyphonic chanson of the Late Middle Ages (14th–15th centuries).
The original LP box for The Art of Courtly Love. The Art of Courtly Love is a 1973 3-LP box set recorded by The Early Music Consort of London, directed by David Munrow for EMI Classics. The set includes 51 medieval and early renaissance songs, most of them little known in 1973. [1] [2] The album won the 1977 Grammy Award for Best Chamber Music ...
Courtly love (Occitan: fin'amor; French: amour courtois [amuʁ kuʁtwa]) was a medieval European literary conception of love that emphasized nobility and chivalry. Medieval literature is filled with examples of knights setting out on adventures and performing various deeds or services for ladies because of their "courtly love".
Their songs dealt mainly with themes of chivalry and courtly love. Several established categories of poetry and song were: Canso or canson were songs concerning courtly love. Sirventes songs covered war, politics, morality, satire, humor, and topics outside of love. Tenso and Partiment is a dialog or debate between poets; Planh is a lament on a ...
Trouvères. Courtly love songs from Northern France (1984) English Songs of the Middle Ages (1988) Philippe le Chancelier: School of Notre Dame (1990) Frauenlob. Heinrich von Meissen (1990) Philippe de Vitry: Motets and Chansons (1991) Vox Iberica: I: Sons of Thunder. Music for St. James the apostle. Codex Calixtinus, 12th century (1992)
Troubadour songs are generally referred to by their incipits, that is, their opening lines. If this is long, or after it has already been mentioned, an abbreviation of the incipit may be used for convenience. A few troubadour songs are known by "nicknames", thus D'un sirventes far by Guilhem Figueira is commonly called the Sirventes contra Roma ...
Conon's poetry was written to be sung and many of his poems survive with musical notation. The majority of his poems are courtly love songs, but two of them are chansons de croisade or crusade songs in which the poet-lover deplores his approaching departure from his beloved but nevertheless accepts the "noble calling" of crusader. Conon de ...
In courtly love The chanson was used as a basis for several other works, including that by Johannes Ockeghem , and masses attributed to Gilles Joye ; however, Johannes Ciconia 's early version shares the words but not the tune ( McComb n.d. ).